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Nigel Pearn

In times of high moral outrage at the barbarism of others, it is salutary to be reminded of the state-sanctioned viciousness of Australia’s past. Simon Barnard’s AZ of Convicts in Van Diemen’s Land does this brilliantly. Australian convict history is a crowded field, but Barnard’s detailed and vivid illustrations breathe fresh life into it. In addition to the many architectural cutaway drawings (hospitals, jails, female factories, commissariats, coalmines, shipyards, treadmills), there is a wealth of social detail: the bell-pull system for solitary confinement cells, a water canteen, cell graffiti, named dogs of the Colony, the tattoos of Francis Fitzmaurice. Indeed, it is the rupture of the human dimension into the totalising aspects of the system that surrounded convict transportation that give this book real intellectual heft. The effect is achieved through image and text, drawing on the stories of many lesser-known personalities of the period from a rich range of primary source material.

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Uneven realities

Nigel Pearn

 

The elasticity of fiction, the ‘what if’ – in other words, the genre’s very virtues and interests – are often the characteristics that alienate ‘sensible’ readers. To the literal-minded, literature can present as a self-defeating puzzle. All that pretence is exhausting, irrelevant at best, ...

Tashi and the Phoenix by by Anna and Barbara Fienberg

by
May 2009, no. 311

Young children often use the word ‘sad’ to describe negative or confusing emotions. ‘What you did made me sad,’ they will say. But children, as they get older, learn to offer richer explanations of interior states: grief, exasperation, shock, bewilderment, hurt, ecstasy and joy. It is language that gives us this flexibility of response. The best books offer us language that matches and sometimes even exceeds the richness of our experiences.

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I grew up reading rubbish and then reread it all again when I got older and called it nostalgia ... (read more)

Nation-building, educational imperatives, old-fashioned economics: children’s books get published for a variety of reasons, none of which alone is a guarantee of quality. Ultimately, a picture book’s success or failure comes from within, the interplay of the words and pictures on the page, and children have a wonderful way of reading around the institutional pathways constructed for them by authors and publishers. Why walk next to a wall when you could run along the top?

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This is Agnes Nieuwenhuizen’s third guide to teenage reading: Good Books for Teenagers (1992) was followed by More Good Books for Teenagers (1995). Thankfully, this latest instalment is not Even More Good Books for Teenagers, but the much less prescriptively titled Right Book, Right Time: 500 Great Reads for Teenagers. Whereas ‘good’ collocated all too easily with ‘a good breakfast’ – as in bran – ‘great’ communicates a certain quality of excellence or a joyful exclamation. Either way, we immediately understand that when there is chemistry between young people and books something exciting, of both literary and personal significance, is going on.

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