Jane Sullivan
Jane Sullivan reviews 'Intrépide: Australian women artists in early twentieth-century France' by Clem Gorman and Therese Gorman
Art and Paris meant everything to Agnes Goodsir. ‘You must forgive my enthusiasm,’ she wrote. ‘Nothing else is of the smallest or faintest importance besides that.’ Goodsir was the Australian artist who painted the iconic portrait Girl with Cigarette, now in the Bendigo Art Gallery. It depicts a cool, sophisticated, free-spirited woman of the Parisian boulevards. When Goodsir created it, in 1925 or thereabouts, she had lived in Paris since the turn of the century. Apart from brief visits back to Australia, she stayed there until her death in 1939.
... (read more)Margaret Robson Kett reviews 'Storytime: Growing up with books' by Jane Sullivan
Maryanne Wolf’s excellent book about the reading brain, Proust and the Squid: The story and the science of the reading brain (2007), quotes Marcel himself ...
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What is it that so fascinates us about lost children? Whether fact or fiction, their stories keep surfacing: Azaria Chamberlain, Jaidyn Leskie, the Beaumont children, or the schoolgirls Joan Lindsay dreamed up for her 1967 novel Picnic at Hanging Rock. Indeed, those girls have wafted through so many subsequent incarnations ...
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A stranger rides into a one-horse town on a shiny new motorbike. Cue Ennio Morricone music. Except it’s not a stranger, it’s that skinny dark girl Kerry Salter, back to say goodbye to her Pop before he falls off the perch. The first conversation she has is in the Bundjalung language ...
... (read more)To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.
... (read more)Jane Sullivan reviews 'The Dark Flood Rises' by Margaret Drabble
I’ve been reading Margaret Drabble’s novels with great pleasure for most of my life, and we’ve all been getting on a bit: Drabble, me, her readers, her characters. So I suppose ...
... (read more)Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...
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'Why do we write?' asks David Brooks at the start of this exhilarating collection of short stories. 'What are we groping for?' The entire collection seems like an attempt to answer a question that the author acknowledges is unanswerable. Yet there is no futility here. His groping, as he calls it, charms and disturbs and conjures up images of extraordinary, if fleeti ...
Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines
... (read more)Jane Sullivan reviews 'Two Years Eight Months and Twenty-Eight Nights' by Salman Rushdie
Kazuo Ishiguro recently sparked off a literary row about whether 'serious' writers should dabble in fantasy when he insisted rather too strongly that he was not writing fantasy in his latest novel The Buried Giant (2015). All those giants and pixies, knights and d ...