In Washington, DC, Peter Rose and regular ABR theatre critic Ian Dickson discuss the career and legacy of Edward Albee, the great American playwright who died on Friday 16 September, aged 88.
In his introduction to the Folio Society edition of Twelfth Night, Peter Hall describes the play as a transitional work. Moving on from the light-heartedness of A Mi More
At any time, Washington, DC would be an apposite place in which to stage Wagner's vast cautionary saga about the devastating effects of greed and lust for power on the human and natural wo More
Do we really need another slim volume on the great Stephen Sondheim? Along with innumerable reviews, essays, and articles, we have Craig Zadan's account of Sondheim's early career, Sondheim & Co (1974), Meryle Secrest's Stephen Sondheim: A Life (1998), and the promise of a definitive biography from the critic David Benedict. If that were not en ... More
As with London buses, one waits for ages for a film based on the life of that vocal phenomenon Florence Foster Jenkins (1868–1944), and then two arrive simultaneously. Add to the mix Mag More
Gentles, perchance you'll wonder at this show
That comes to us with fanfare from abroad.
Mike Bartlett's many earlier plays, like ...
In this era of the jukebox musical, it is not surprising that the seventeenth- and eighteenth-century equivalent, the pasticcio opera, should be undergoing a revival. A couple of seasons a More
To his critics, James Merrill was at best a petit maître, a composer of exquisitely manufactured lyrics that reflected his privileged life and over-refined sensibilities. When he won Yale's Bollingen Prize for Poetry, the editorial writer for The New York Times wearily deplored the judges' preference for 'literary' poets. This prompted a sharp res ... More