Félix Calvino’s short novel tells the story of a young man who moves to Australia to escape Franco’s Spain. The strange thing about the book (given that its author has spent so long in Australia) is how unlike contemporary Australian literature it is. David Malouf has championed Calvino, but then there has always been something essentially Mediterranean about the author of Ransom. Flaubert was uncompromising in his belief that the author’s opinions and even ideas should remain absent from a work of literary art. If the French master thought the novel of ideas was a degraded thing, what would he have thought of the Australian ‘novel of issues’, the books (we all know them) that might have been written off the back of an episode of Q&A. Alfonso bolsters no Australian cultural myths, nor does it succumb to the equally tiresome genre that is ‘myth debunking’.

Read the rest of this article by purchasing a subscription to ABR Online, or subscribe to the print edition to receive access to ABR Online free of charge.

If you are a single issue subscriber you will need to upgrade your subscription to view back issues.

If you are already subscribed, click here to log in.

Published in May 2014 no. 361

Leave a comment

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.

NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to We will review your comment and, subject to approval, we will post it under your name.