Simon Caterson

Notwithstanding the fact that he died alone in a hotel room following a heroin overdose at the age of fifty-three, Brett Whiteley led what for an Australian artist ...

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According to A.N. Wilson, the Bible is badly misread by those fundamentalists, whether believers or atheists, who choose to read it in a literal-minded way rather than as ...

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The Australian way of life has been much influenced by the proximity of most of the population to the coast. While we often think of the sunny side of that existence in terms of the beach, certain shadier aspects of the Australian experience have been shaped at the docks.

'Australia's major ports have been the birthplace of the nation, home to the tight-knit ...

As a liberal-minded, London-based philosopher prepared to engage in the mainstream press with major topics of the day, A.C. Grayling is always up for a challenge. Although much of Grayling's commentary conforms to the classical liberal view of things, now and then logic dictates that he takes a stance that may seem radical in those terms.

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‘Most history is simply lost.’ By means of a regular biographical column in the Jesuit magazine Madonna published over the past twenty-five years, Father Edmund Campion has preserved pieces of Australian personal history that might otherwise have been neglected, if not forgotten altogether. In this, the author’s second collection of biographical sketche ...

Mannix by Brenda Niall

by
April 2015, no. 370

With her long-awaited life of Archbishop Daniel Mannix, Brenda Niall, one of Australia’s leading biographers, has conquered a subject that for decades she regarded as compelling yet ‘intractable’. ‘As a presence (I wouldn’t claim such a remote and magisterial being as a neighbour) Daniel Mannix was part of my childhood,’ Niall recalls. She grew up in the ...

Just how different are the rich from everyone else? F. Scott Fitzgerald wrote in a 1926 short story that they are ‘soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves.’

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To judge by John McLaren’s thought-provoking survey of 200 years of writing about Melbourne, the city’s most insidious negative feature for many observers – wrong-headed though they may be – is dullness. In George Johnston’s My Brother Jack (1964), the narrator David Meredith rails against the suburbs as ‘worse than slums. They betrayed noth ...

We are used to modern science being conducted as a collaborative effort involving teams of researchers in laboratories, but imagine a huge research project requiring thousands of researchers and covering every corner of an entire continent (and beyond) being organised successfully with no telephone or Internet.

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In describing the enduring cultural impact of The Spy Who Came in from the Cold – published fifty years ago and often nominated as the best spy novel ever written – a good place to start, strange though it may sound, is James Bond. John le Carré’s squalid yet subtle world of Cold War spies may appear antithetical to the glamorous fantasy of Bond. But it is clear from the last three Bond films, and especially the latest, Skyfall (2012), which of the two visions of espionage, Fleming’s or le Carré’s, is the more mature and compelling.

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