Margaret Atwood

Beejay Silcox reviews 'The Testaments' by Margaret Atwood

Beejay Silcox
Monday, 07 October 2019

There was never any question that The Testaments, Margaret Atwood’s coda to The Handmaid’s Tale (1985), would be a gargantuan blockbuster, a publishing Godzilla. Giddily hyped and fiercely embargoed, bookshops across the world counted down the minutes until midnight on September 10 (GMT), when the envy-green volume ...

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The Tempest is a play set on a ship. In the first scene, the ship is wrecked. ‘All lost ... all lost.’ The play is over. The play begins again. To one side of the stage, on an island a girl is ...

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The Heart Goes Last is set in a not-so-distant future in which the economy of the United States has collapsed. In the wake of a major financial meltdown, those rich enough to flee have taken up residence in floating offshore tax havens, leaving the rest of the population to cope with a society ravaged by spiralling unemployment, drug addiction, and crime. The ...

Morag Fraser reviews 'Stone Mattress' by Margaret Atwood

Morag Fraser
Monday, 27 October 2014

One swallow doesn’t make a summer, as the stark proverb cautions, but a cockatoo flocking of short stories suggests that the form is perhaps enjoying a revival – and the publishing industry has seized an opportunity. As it should.


Kerryn Goldsworthy reviews 'MaddAddam' by Margaret Atwood

Kerryn Goldsworthy
Wednesday, 25 September 2013

Kerryn Goldsworthy admires Margaret Atwood’s depth of intellect as revealed in MaddAddam, the concluding sequel to Oryx and Crake and The Year of the Flood.

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Melinda Harvey reviews Margaret Atwood's 'In Other Worlds'

Melinda Harvey
Friday, 20 January 2012

As contemporary author fan bases go, Margaret Atwood’s must be among the broadest. She is read at crèches, on university campuses, and in nursing homes. Feminists, birders, and would-be writers jostle to see her perform at literary festivals. Yet despite an Arthur C. Clarke Award and, in her own words ...

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