Francesca Sasnaitis

You are perfect for this story. I will never meet you.’ We are invited into Australian Love Stories and into Bruce Pascoe’s erotic reverie with this line from ‘Dawn’. The reader is embraced, as the luxuriating eye of Pascoe’s narrator embraces the recumbent body of the woman beside him. His gaze is illicit, touch forbidden. We are privileged voyeurs ...

Francesca Sasnaitis reviews 'Cicada'

Francesca Sasnaitis
Thursday, 27 March 2014

Moira McKinnon practised as a community doctor in Halls Creek, in the Kimberley, where her first novel Cicada is also set. She was joint winner of the 2011 Calibre Prize for her essay ‘Who Killed Matilda?’, the story of an Aboriginal woman whose audacity and traditional ...

Francesca Sasnaitis takes a tour of 'Melbourne Now'

Francesca Sasnaitis
Sunday, 19 January 2014

‘There’s no time like NOW!’ proclaim the signs.

Inspired by the fond reminiscences of slow tram rides of several Melbourne personalities, whose brief anecdotes are interspersed between the pages of the sumptuous Melbourne Now catalogue (Melbourne Now Limited Edition, National Gallery of Victoria, $100 hb, 280 pp, 978072 ...

Francesca Sasnaitis reviews 'Holy Bible'

Francesca Sasnaitis
Monday, 26 August 2013

Vanessa Russell grew up in a traditionalist Christian fellowship, the Christadelphians. She read the Bible from cover to cover every year, enjoyed a childhood filled with group activities, and only left when their oppressive restrictions caused her too much grief.

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Francesca Sasnaitis reviews 'Holy Bible' by Vanessa Russell

Francesca Sasnaitis
Monday, 08 July 2013

Vanessa Russell grew up in a traditionalist Christian fellowship, the Christadelphians. She read the Bible from cover to cover every year, enjoyed a childhood filled with group activities, and only left when their oppressive restrictions caused her too much grief.

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Francesca Sasnaitis reviews 'Street to Street' by Brian Castro

Francesca Sasnaitis
Tuesday, 29 January 2013

At the age of fourteen, Brendan Costa, not Brian Castro, visits a fortune teller. The Witch predicts a fortunate life, though one afflicted by a lack of awareness that may lead to loss of control and possible disaster. Castro is warning the reader to pay attention or lose the plot.

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Francesca Sasnaitis reviews 'Lola Bensky' by Lily Brett

Francesca Sasnaitis
Wednesday, 26 September 2012

It is no secret that Lily Brett has mined her past and her family history in her fiction. Her parents, like those of her current alter ego, Lola Bensky, were survivors of the Łódź ghetto and Auschwitz concentration camp; Lola, like the author, was born in a displaced persons’ camp before her family emigrated to Australia. Lola, a chubby baby, was possibly the o ...

Francesca Sasnaitis reviews the biography: 'Nicole Kidman'

Francesca Sasnaitis
Tuesday, 25 September 2012

‘Will the real Nicole Kidman please stand up?’ Many readers will remember that line from the television game show Tell the Truth, in which celebrities were required to guess which of three contestants was the ‘real’ person. Pam Cook tells us that our ‘search for veracity is doomed to failure’ because, in this case, the celebrity’s identity is a ...

Francesca Sasnaitis reviews 'Sufficient Grace' by Amy Espeseth

Francesca Sasnaitis
Tuesday, 28 August 2012

Imagine the book as a repository of memories: to turn the pages is to remember. Fiction, in particular, encourages flipping back and forth through memory’s volume. An author’s life informs her fiction. Memories, personal and second-hand, play a pivotal role in the formation of narrative structures. In a début novel, it is not uncommon for the author to resort to childhood sources for inspi ...

The making of a writer involves more than talent and ambition; perseverance and a thick skin are also prerequisites. The best that can be hoped for from a teaching institution is that potential writers are exposed to new ideas and encouraged to experiment with content and form. The results are seldom perfect, but at least they can prove interesting.

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