Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Fiona McGregor

‘Wasn’t sexual expression a principal motivation of gay and queer dancefloors … Isn’t that the freedom we were fighting for? To be kinky dirty fuckers, without shame; to not sanitise ourselves in the bid for equality?’ So exhorts DJ Lanny K in 2013, reflecting on his time spinning discs at down-and-out pubs in ungentrified Surry Hills in the mid-1990s as part of Sydney’s fomenting queer subculture. Lanny K, Sydney-based Canadian immigrant, is one of a handful of artists – performance artists, dancers, even a tattooist – interviewed by Fiona McGregor in her collection of essays Buried Not Dead. Mostly written between 2013 and 2020, each essay is based on a rolling interview with an artist and draws out their recollections of early practices and careers, several united by reference to a specific time and place – Sydney’s emergent gay scene in the mid-1990s.

... (read more)

In the May issue of ABR, a new Australian novel was praised as being ‘a respite from the anodyne family dramas that seem to plague contemporary commercial publishing’. Of course, there are plenty of uninspiring domestic novels on bookshop shelves – just as there are uninspiring examples of every kind of novel – but when done well, contemporary family drama can be the opposite of anodyne, stimulating readers to analyse and debate the world. The best domestic novels use characters in a specific family or social setting to reflect and explore the values and issues of a particular time and place. Indelible Ink, which follows the intersecting lives of one Sydney family during the last days of the Howard era, is such a book – and looks set to be the most talked-about Australian novel since The Slap.

... (read more)

Strange Museums is a strange book, a kind of fugue whose first theme is introduced by the poem ‘Tortures’ by Polish poet Wislawa Szymborska. It is a lament of evasion, uncertainty, the reservoir of pain that is the body and the inability to escape. It is enlarged da capo with the author’s discovery of a plaque commemorating the day in 1942 when Jews were rounded up and shot in the town of Piatrk w Trybunalski.

It is the tale of a most unusual journey made through Poland by performance artist and writer Fiona McGregor from May to July 2006. With A A Wojak, her performance partner and former lover, the journey is focused around an international action art festival where the two women, as senVoodoo, perform their confronting work, Arterial. It involves fear and shock, with the pain and risk endured by the artists calculated to take them to the edge. Even in description, Arterial draws a gasp.

... (read more)

Sometimes I long for beauty – in a book I want beautiful writing and even some beauty illuminated in everyday experience. Fiona McGregor’s short story collection does little to ease my longing.

... (read more)