Allen & Unwin

Currawalli Street is Christopher Morgan’s second novel for adults. Set in a suburb north of Melbourne, the novel is divided into two parts. It follows the lives of the street’s residents on the brink of World War I, then skips to 1972, when one of the grandsons of the original residents returns from the Vietnam War.

In the past, a twenty-something could exemplify le dernier cri without having to dispense with his bicycle gears, reflectors, and brakes. Worry not. An infinitely cooler trend – less prone to vehicular mishap – is doubtless on its way to erase fixed-gear bikes, or ‘fixies’, from the palimpsest that is sub-cultural fashion. HipsterMattic, blogger Matt Granfield’s amusing début memoir, records his entrée into the fickle world of sartorial politics, organic produce, and National Bike Polo Championships.

Early in Charlotte Wood’s previous novel The Children (2007), one of Stephen Connolly’s sisters describes him as lost; she says he carries within him ‘a bedrock of resentment … never articulated and never resolved, but which has formed the foundation for his every conversation, every glance from his guarded eyes’. Readers may disagree with this harsh assessment as they read Wood’s new novel, Animal People, in which Stephen is the primary focus – this time more anxious than resentful. He is an inherently difficult character, but not a bad man. Wood unpacks him – sometimes ruthlessly – to reveal a person bewildered by the demands of all kinds of relationships.

Many Australians are hungry for answers to Indigenous disadvantage. In recent years, anthropologists have been among those who have proposed solutions. This latest offering is from Diane Austin-Broos, professor emerita at the University of Sydney and long-time ethnographer of the ...

This bold book, with its lucid prose and vivid illustrations, will be discussed for years to come. It is not original in the narrow sense of the word, but it takes an important idea to new heights because of the author’s persistence and skill. Bill Gammage, an oldish and experienced historian of rural background ...

Beatrice May Ross (Bee) is a list-maker, an amateur detective, a taxidermy assistant, and a regular teenage girl. She falls in love, fights with her best friend, and hates her mother’s new boyfriend, like plenty of adolescents. But she does so while stitching together a dead koala and trying to solve the ever-developing mystery surrounding the death of her mentor.

When Arnold wrote his famous sonnet, he could have been anticipating John Bell’s book, which repeatedly asks provocative questions about the man and the work that have been his life’s inspiration – and arrives at much the same conclusion as Arnold. We don’t go to Shakespeare for mere knowledge, but for insight, challenge, and enrichment, and perhaps to help us know ourselves and others better. Further, as Bell says: ‘There is no worldwide conspiracy to keep Shakespeare alive. He survives because actors want to go on performing him and audiences want to listen.’ These sentences come from his second-last page, and the rest of the book helps us to understand why.

It’s the voice, isn’t it, of a master, so unmistakably in command of a music that is inseparable from the personal modesty that is its signature, which belies all grandeur and refuses to take credit for the gift but has it nonetheless in abundance. When Craig Sherborne read the last poem in this Selected Poems ...