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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

Interview

From the Archive

December 2002-January 2003, no. 247

Australia’s Democracy by John Hirst & The Citizens’ Bargain edited by James Walter and Margaret Macleod

John Hirst faced a challenging task when he set out to write Australia’s Democracy: A short history. In a single monograph, he has traced the story of political rights and practices of citizenship, assessed within a context of social change. Not only does such writing place considerable demands on a historian’s range, but any prominent historian who attempts a short history attracts the sharp attention of all stakeholders. In Hirst’s case, his position as chair of the Commonwealth Government’s Civics Education Group has contributed further to his high profile in recent discussion on the need for citizenship training. Australia’s Democracy was funded by the Department of Education, Science and Training, and made available to schools for the ‘Discovering Democracy’ programme. Few historians write while carrying so much responsibility towards their prospective readership.

From the Archive

April 2008, no. 300

Three non-fiction books

Rod Reeve manages a company that directs foreign-aid projects. Rather than flying in with helicopter-loads of rice, he focuses on ‘capacity-building’ and infrastructure. Agricultural science is his own speciality, but he has set up and run a variety of projects. He has worked to counter opium production in Pakistan, develop dryland farming in Africa, Iraq and Jordan (he had to evacuate during the 1991 Gulf War), and improve health and education in China, Laos and Indonesia. He assisted with the quarantine service in Papua New Huinea and post-tsunami reconstruction in Aceh.

From the Archive

July 2001, no. 232

Letters to the Editor - July 2001

James Griffin and John Wren

Dear Editor,

Some of your readers will be familiar with the problem. You set aside a few days to get to the National Library to pursue a research project. You obtain the manuscripts, order the material in the Petherick Room, and settle down to uninterrupted industry, when an avuncular bore with too much time on his hands buttonholes you and bangs on about his own project. You do not wish to appear uninterested, yet hope that the windbag will leave you alone and get back to his own table, perhaps even write the book that he rehearses so insistently as the precious minutes tick by.