It’s simple. A young woman, her love for her partner slipping away, looks at their suburb, and him, and their relationship, and writes bronze-clad poetry about it. Then she takes to the bush, describing its towns and picking at its history with the same clear eye she uses to examine her lost love. She combines a photographic exactness with a resounding turn of phrase and an ability to use a refrain just enough and no more.
Vanessa Page: Confessional Box
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Peter Kenneally is a freelance editor, writer and reviewer, and poet. In 2005 his suite of poems Memento Mori was selected for the anthology of the Newcastle Poetry Prize, and in 2007 his piece ‘a streetlamp goes out when I walk under it’ was commended in the New Media section of the same prize. He has appeared in The Australian, Southerly, and Island, among other publications.
By this contributor
- Peter Kenneally reviews 'These Things Are Real' by Alan Wearne
- Peter Kenneally reviews 'Our Lady of the Fence Post' J.H. Crone, 'Border Security' by Bruce Dawe, 'Melbourne Journal' by Alan Loney, and 'Star Struck' by David McCooey
- Peter Kenneally reviews '101 Poems' by John Foulcher, 'Small Town Soundtrack' by Brendan Ryan, and 'Ahead of Us' by Dennis Haskell
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