The lives of artists have formed a staple of art history from Vasari in the sixteenth century to Alex Danchev in the twenty-first. Current styles of art history may frown on biographies of artists. They smack too much of the hero artist and side-step the social construction of art. Yet the genre shows no sign of wilting. In our time we have such masterly works as John Richardson’s multi-volume Life of Picasso (1991–2007) and Hilary Spurling’s revelatory two volumes on Henri Matisse (1998–2005). On a different plane, Frances Spalding’s lives of Vanessa Bell (1983), Duncan Grant (1997), and the Pipers (John and Myfanwy, 2009) have done much to resuscitate their reputations. We have good lives of Jackson Pollock and Willem de Kooning, to say nothing of such massifsas the 900 pages of Steven Naifeh and Gregory White Smith’s Van Gogh: The Life (2011), a grim trawl through the lower depths.
Cézanne – a chaotic self
His monumentality and gravitas
Cézanne: A Life
by Alex Danchev
Profile Books (Allen & Unwin), $55 hb, 510 pp, 9781846681653
Patrick McCaughey, formerly Director of the National Gallery of Victoria, the Wadsworth Atheneum in Hartford Connecticut, and the Yale...
If you are a single issue subscriber you will need to upgrade your subscription to view back issues.If you are already subscribed, click here to log in.
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to email@example.com. We will review your comment and, subject to approval, we will post it under your name.