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Sydney Smith

In 1978 Christina Crawford published her memoir Mommie Dearest, an account of her life as the abused adoptive child of Joan Crawford. Shocking scenes in this book remain forever with readers. Sydney Smith’s account of life with her mother is, if anything, more horrific than Mommie Dearest. Traditional fairy tales often split the mother into the good mother and the bad mother, and the one in The Lost Woman is a baroque version of the bad. The memoir begins by invoking the story of Rapunzel and continues throughout the narrative to identify life’s key elements with the tropes of the folk tale. This is a story of imprisonment, escape, and transformation.

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Crime of Silence by Patricia Carlon & The Unquiet Night by Patricia Carlon

by
December 2002-January 2003, no. 247

It is the fashion, when discussing Patricia Carlon’s thrillers, to claim that she has been shamefully ignored in her home country. So what? If Miss Carlon (1927–2002) had been a genius of the running track or swimming pool and couldn’t get a gig in the Australian Olympic team, that would be a scandal. But she was a writer. She was ignored. What else is new? What we really want to know is whether her thrillers are worth all the fuss. Do they deserve to be reissued after being out of print for many years?

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