Kate Lilley: Ladylike

Rose Lucas


by Kate Lilley
UWA Publishing, $19.95 pb, 86 pp, 9781742584393


Like all good titles, Kate Lilley’s Ladylike offers the reader a coded and evocative entrée into her new collection. These poems are concerned with exposing and critiquing some of the expectations of femininity, of being ladylike, as found in the past and the present, in contemporary cultures such as the cinema and in the discourses of the academy. The idea of ‘liking ladies’ is also central to these poems, as a current of desires that cuts across more conventional notions of the lady. The title also suggests a motif of mirroring, even doubling, where a self is similar to, perhaps even indistinguishable from an ‘other’, and yet is also simultaneously different, a simulacra or sign that can never be the thing in question. It is within this point of slippage – this petticoat slide between an embodiment of femininity and its repetitions or likenesses – that Lilley’s poetry operates, generating a reading experience which can be both vertiginous and full of the rigour of possibilities.

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Rose Lucas

Rose Lucas

Rose Lucas is Melbourne poet, critic and academic. She works at Victoria University and her next poetry collection, Unexpected Clearing (UWAP), is due out in February 2016.

Published in June 2012 no. 342

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