From the first sentence of Creepy & Maud, we know we are entering a volatile world. ‘My dad has trained our dog, Dobie Squires, to bite my mum,’ Creepy tells us. What follows is a vivid peek into suburban isolation and unease. Almost every character has an addiction or psychological disturbance, from alcoholism and untameable aggression to dyslexia and obsessive compulsions. This society is one where children prefer ‘being smacked to being touched’, intimacy is avoided, and voyeurism and exhibitionism emerge as the only ways to connect.
Dianne Touchell: Creepy & Maud
Creepy & Maud
by Dianne Touchell
Fremantle Press, $19.99 pb, 203 pp, 9781921888953
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Maya Linden has lived and worked in the United States and in Australia as a writer, researcher, restaurant and bar critic, book reviewer, and teacher of Creative Writing at the University of Melbourne. She has recently completed a PhD on feminine masochism in women’s literature at the University of Adelaide, and her creative and critical writing has been published in many local and international journals, including Meanjin, Westerly, Life Writing and Australian Book Review, as well as several anthologies. Her website is www.mayalinden.com
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