Rosanne Hawke

Blyton got rid of them, Dahl demonised or mocked them but adults are definitely central in  the lives of young people in this recent trio of books for the emerging to the retiring adolescent.

The Keeper (Lothian, $12.95 pb, 160 pp) is aimed at the younger end of adolescence, perhaps written with the view that such readers will be willing to suspend disbelief as they will need to in this romantic story of a troubled young boy’s search for a father. Joel is twelve and lives with his grandmother on the Yorke Peninsula, and fishing is his love but fighting his tormentor, Shawn at school, and generally being disruptive, takes up much of his time. However, from the outset we are alerted to Joel’s essential goodness when he defends the meek Mei who will not fight back.

You think you know what Jackie French’s Refuge (Angus & Robertson, $15.99 pb, 261 pp, 9780732296179) is going to be about, with its front cover photograph of a young boy, his dark eyes full of apprehension and sorrow. You still think you know when the refugee boat carrying the boy, Faris, and his grandmother, Jedda, to Australia is swamped by a huge wave and sinks. So you are almost as puzzled as Faris when he awakes to find himself in a sunlit bedroom with palm trees and a blue sky outside, and his beloved Jedda making breakfast for him. She encourages him to play on the beach, where a strange assortment of children is playing ball, and a naked, dark-skinned youth is spearing fish in the shallows. Faris is invited to join the game, with one proviso: on the beach he must never speak of the past. Faris agrees; there is too much pain in his past to talk about it.

Adolescent girls aged sixteen to seventeen are at the centre of these three Young Adult novels: girls whose heightened emotional states prompt supernatural events. Broken families, disconnection from parents, obsession, music, art, and death impel the protagonists to seek solace and healing in the metaphysical. For Shirley Marr (Black Dog Books, $18.95 pb, 272 pp, 9781742031903), it is the Chinese understanding of the ‘preloved’ and their resonance in the present that engenders the attractive ghost Logan. For Kirsty Eagar (Penguin, $19.95 pb, 314 pp, 9780143206552) it is the creative impulse, the painter’s obsession with ‘seeing’ beyond the surface of things, that evokes the dark landscape in which Abbie struggles for meaning. For Rosanne Hawke (University of Queensland Press, $19.95 pb, 252 pp, 9780702238826), it is profound grief following the death of the protagonist’s brother.