Dreamhouse, written before the wonderful Lilian’s Story (1984 Vogel winner), was the Vogel runner-up in 1983. Kate Grenville’s writing in this novel is clear-headed, strong, both witty and humorous, and above all lifts the imagination high. Dreamhouse wins my ‘Chortle, Gasp’ Prize for black comedy incorporating a design award for ‘best romantic fiction parody’ (it could have been called A Summer in Tuscany). It’s a darkly delightful book to read. Subversion of romantic expectations is immediate, ingenious, and horribly funny. Louise Dufrey is one half of an unlovely couple whose marriage looks perfect but is actually defunct.... (read more)
Being out of print is like moving back in with your parents – it’s not usually a sign that things are on the up. But fortune’s wheel turns with scant regard for merit or effort, so it must be a relief for writers when their publishers decide to ‘celebrate their continuing contribution to Australian literature’ with a re-release of their back catalogue.... (read more)
Kate Grenville’s new novel, her first in almost a decade, is dedicated to ‘all those whose stories have been silenced’, for which, as its ‘memoirist’–narrator heroine is Elizabeth Macarthur, we might read ‘women’. Did she – wife of the notorious John Macarthur, wool baron in early Sydney – write what Grenville’s publishers call ‘a shockingly frank secret memoir’? In her ‘Editor’s Note’, Grenville tells, tongue firmly in cheek, of there being discovered in the ceiling of a historic Parramatta house under renovation a long-hidden box containing that memoir. In an ‘Author’s Note’ at the book’s end, we are assured that ‘No, there was no box of secrets found in the roof of Elizabeth Farm. I didn’t [as she claimed at the beginning, in her Editor’s Note] transcribe and edit what you’ve just read. I wrote it.’ Perhaps those who thought otherwise failed to observe the book’s epigraph from Elizabeth Macarthur – ‘Do not believe too quickly’ – though whether those words were inscribed by the historic Elizabeth or by Grenville’s fictional one may be a matter for discussion. Apropos of previous books, Grenville the novelist has had disputes with historians about matters of fiction and fact.... (read more)
Just before the publication of her novel Dark Places in 1994, Kate Grenville said that she was thinking about her next book, ‘a heart-warming old-fashioned love story’. Well, The Idea of Perfection – and isn’t that what all love stories are about? – is that love story, though it warms both heart and head, for the bliss it affords is not so much visceral as aesthetic, even architectural.... (read more)
Kate Grenville is a brave woman. For some years now, the representation of Aboriginal people by white writers has been hedged about by a thicket of postcolonial anxieties, profoundly problematic and important but too often manifested as hostile, holier-than-thou critique, indulging, at its most inept ..... (read more)
Kate Grenville’s publisher wasn’t keen on her writing a book about fragrance. He would have preferred another novel from the author of ...... (read more)
Kate Grenville’s Lilian’s Story is one of the great Australian novels of the last thirty years. When it was first published in 1985, it was immediately hailed as a masterpiece. The original cover carried a recommendation by Patrick White, Nobel laureate and the greatest writer of any kind Australia has produced. White said ...
I’ve just finished a book about my mother’s life. She was typical of her times in some ways, remarkable and even eccentric in others. When she died ten years ago she left a mass of bits and pieces of memoir. I’ve used them to try to tell the story of a working-class woman riding the waves of change through the twentieth century.... (read more)
Kate Grenville’s mother, Nance Gee (née Russell), was an extraordinarily resourceful, resilient, and interesting woman. Born in 1912 to ill-matched, working-class parents and surviving a childhood lacking in stability and opportunity, she went on to become an inspirational mother, businesswoman, and teacher. Some years after her death in 2002, Grenville began sor ...
Kate Grenville (1950–) is an award-winning Australia author of fiction, memoir and non-fiction, Kate’s first publication was the short story collection Bearded Ladies (1984). She has gone on to publish a total of thirteen books in the last thirty years including her most recent one, One Life (2015). Several of Kate’s works have been adapted f ...