Bronwyn Lea reviews 'Here Until August: Stories' by Josephine Rowe and 'This Taste for Silence: Stories' by Amanda O’Callaghan
The inciting incident in Josephine Rowe’s short story ‘Glisk’ (winner of the 2016 Jolley Prize) unpacks in an instant. A dog emerges from the scrub and a ute veers into oncoming traffic. A sedan carrying a mother and two kids swerves into the safety barrier, corroded by the salt air, and disappears over a sandstone bluff ...... (read more)
Certain days: it is easy to imagine this small, once-prosperous river town (barely distinct from many other small, once prosperous river towns) as if you are only passing through it, shunpiking the thruways in favour of the scenic rural two-lanes on a road trip in your better, your best life. The life in which your formidable boxer-turned-human-rights-lawyer wife has simply pointed to this town on a much misfolded map and declared: Here, lunch.... (read more)
The 2016 Elizabeth Jolley Short Story Prize ceremony was held at the Melbourne Writers Festival on 27 August. The event was compèred by ABR Deputy Editor, Amy Baillieu, with opening remarks from poet and author Maxine Beneba Clarke.
News from the the Editor's Desk in the August issue of Australian Book Review.... (read more)
We are wading out, the five of us. I remember this. The sun an hour or two from melting into the ocean, the slick trail of its gold showing the way we will take ...... (read more)
'That was the summer ...' begins Josephine Rowe's début novel, A Loving, Faithful Animal, and with this classic overture she evokes that most common of literary tropes, the summer in adolescence that changes everything. But this is the summer, she continues, when a sperm whale washes up dead at Mount Martha, and all the best cartoons go off the air, replac ...
William Heyward reviews 'The Rest is Weight' by Jennifer Mills and 'Tarcutta Wake' by Josephine Rowe
The Rest is Weight, by Jennifer Mills, is a restless collection of short stories. Its settings include Russia, remote parts of Australia, Mexico, and China. The stories are densely packed; there are no ‘snapshots’ or ‘sketches’, only well-made narratives populated by plausible, complicated characters. Nor is there any decorative writing; no show ...