Jennifer Maiden’s first books, Tactics (1974) and The Problem of Evil (1975), introduced a fantastically complex and enquiring poetry, with strangely fragmentary assemblages of character wrought from conflict. Both books were partly inspired by television’s gory nightly footage of the Vietnam War ...... (read more)
There’s plenty to crack onto, he says, a laundered Valkyrie stomps the DIY:
I reconstitute in the shed, my notes can hit the rafters,
no-one’s selfing over it, like upstairs
on their asbestos balustrade,
a tick-off at the slightest, though their kid
chatters and bounces on the planks.
At last summer rises on a blue cactus.
Without, it’s crumpled outside ...
As her to you, unhurried,
pair formations addle a skyline,
extrovert welcoming traffic, selfless despot on the inner.
Even so, his pin-cushioned face glues to the backdrop’s nest of wombats.
The city changes from one skyscraper and slate
to the creek’s bag-junked ripple,
decisive formaldehyde splitting a cloud’s anagram of discontent,
replacing slouched ...
You long for night to push away injunctions and sodalities,
sky’s hexagon clouds,
as veins lined with velvet straighten the road and undone casket
and morning’s birds click through dream.
Rest your eyes on the road like an inn,
bundled rubbish a corpse on the nature-strip.
You take the waters.
You embrace a door.
Snaked fields welter through molecu ...
Gig Ryan’s last book was New and Selected Poems (Giramondo, 2011), published in the United Kingdom as Selected Poems (Bloodaxe, 2012). Manners of an Astronaut (Hale & Iremonger, 1984) was re-issued by Shearsman Books, UK, in 2018. She was Poetry Editor of The Age from 1998 to 2016. Her work first appeared ...
‘My new persona helped me to make money,’ says the streamer,
but cruel and petty, unhoped for ideal like a hovercraft shimmers
behind a definition of a chair ...
Antigone Kefala’s Fragments, her fifth book of poems and first since Absence: New and selected poems (1992), is often menaced by the past, like her first collection, The Alien (1973). Here too are some subtly demolishing portraits, as well as buoyant poems such as ‘Metro Cellist’ and the slightly brooding ‘Summer at Derveni’: ‘ ...
The collage on the cover of Breezeway, John Ashbery's twenty-eighth book of poems, encapsulates his erudite multifariousness. The juxtaposition of Raphael's angel from Madonna and Child Enthroned with Saints and de Chirico's The Enigma of Fatality with a nineteenth-century advertisement from Spanish Málaga resembles the pools of moments s ...