Alison Lester

A relatively unusual occurrence until recently, the publication of a plethora of new Australian Aboriginal-authored and/or Aboriginal-themed children’s books has begun transforming the Australian publishing landscape. A number of these books, like Rhoda Lalara and Alfred Lalara’s charmingly evocative Yirruwa Yirrilikenuma-langwa (When We Go Walkabout: Allen & Unwin, $24.99 hb, 32 pp, 9781743314562), are rendered bilingually, in the latter case in Anindilyakwa, the mother tongue of the majority of Groote Eylandt residents, as well as in English.

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Rules of Summer by Shaun Tan & Kissed by the Moon by Alison Lester

December 2013–January 2014, no. 357

Never ruin a perfect plan’ is one of the masterful Shaun Tan’s Rules of Summer (Lothian, $24.99 hb, 52 pp). On a bone-strewn landscape, four thimbles with legs, tails, and horned heads are caught mid-procession. Two of them carry a knife and fork twice their height. The smallest one has turned its Ned Kelly visor head to salute. In doing so, he has trodden unaware on the tail of the one in the lead, who is carrying a strawberry as big as himself. The tip of the tail lies under his foot, dropped like a skink’s. A crow watches from the shadows. The narrative in this one picture would be enough to keep a reader absorbed for hours. The many colours of summer are textured contrasts.

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Diverse memories of childhood, ranging from Indigenous and migrant experiences to the Great Depression, permeate these evocative Australian picture books. Admired illustrator Bruce Whatley displays his range of styles in a pair of them; two others are set in Western Australia and Queensland. The potential danger of water is a disconcerting theme.


The latest crop of children’s picture books highlights the ability of this versatile genre to cover everything from the ever-popular animal tale, to sparkling stories about fairies, to introspective contemplations on the meaning of life.

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