Machine Man, Max Barry’s fourth novel, begins with its protagonist Charles Neumann searching for his mobile phone. It takes him twelve very funny pages to find it, but when he does it ushers in the novel’s central ‘tragedy’. It is easy to assume that Barry comes bearing a worn theme about modern society’s alarming reliance on technology, but he is no Luddite, and Machine Man’s central tragedy is also the centre of its comedy. Neumann loses a leg, but as a clinically minded, emotionally incapable engineer whose love for hard science and determination to improve knows no bounds, his loss quickly becomes his (and his company’s) gain – before, inevitably, it becomes his loss again.
Shaun Prescott reviews 'Machine Man' by Max Barry
by Max Barry
Scribe, $27.99 pb, 288 pp, 9781921844263
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Shaun Prescott is a writer and critic based in Sydney. He co-edits the triennially published Cyclic Defrost magazine and contributes regularly to Mess+Noise and theVine.
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