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Wayne Ashton

Equator, a rambunctious, unwieldy novel, begins in a Spanish orphanage with an elderly watchdog, Pinski. According to the narrator, who is addressing a large orange butterfly, Pinski has succumbed to the heat of the day and cannot be bothered protecting his human charges. The human characters – and therefore, by association, those who are reading his story – are called ‘the custodians of the nectar’. This rather beautiful metaphor is used many times in Equator, as are dialogues, which become incantations about good and evil.

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