Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Wakefield Press

Eta Draconis by Brendan Ritchie & The Comforting Weight of Water by Roanna McClelland

by
September 2023, no. 457

At a time when the world strains under the pressure of multiple crises, it stands to reason that coming of age might no longer hold the same literary value it once did. This ‘polycrisis’ encompasses not only the convergence of myriad catastrophic events – climate change, war, Covid-19, the resurgence of fascism, etc. – but also the failure of metanarratives or belief systems to mitigate against these. Amid all this unprecedentedness, the rise of an anti-Bildungsroman sentiment hardly surprises. In different ways, both Brendan Ritchie’s Eta Draconis and Roanna McClelland’s The Comforting Weight of Water attend to the central question: how does one come of age in a collapsing world? It’s a line of enquiry that just so happens to reflect Franco Moretti’s critique of the Bildungsroman genre in The Way of the World: The Bildungsroman in European culture (1987), articulating how the novel of youth upholds the myth of Western modernity and progress.

... (read more)

Few names are so ubiquitous in Australian culture or hold such a significant position in its history as that of Matthew Flinders. More than one hundred sites across Australia have been named in his honour, commemorating his accomplishments as a navigator, hydrographer, cartographer, and scientist. Among them are several statues featuring Flinders with Trim, his ever-faithful pet cat and companion, as well as numerous geographic landmarks, electoral districts, and a university. 

... (read more)

In 1961, Gwen Harwood submitted a sonnet to the Bulletin under the name of Walter Lehmann. Her poem, ‘Abelard to Eloisa’, held a shocking acrostic secret that many people considered very bad art. Nobody discovered the secret until after it was published. But despite her transgression, as Wikipedia puts it, ‘she found much greater acceptance’ – to the point that she is today considered one of Australia’s greatest poets.

... (read more)

Zach Jones’s début novel, Growing Up in Flames (Text Publishing, $19.99 pb, 288 pp), unfolds after a tragic bushfire, while an approaching bushfire stalks Carly Nugent’s protagonist Persephone in Sugar (Text Publishing, $19.99 pb, 368 pp). The only noticeable flames in Allayne Webster’s That Thing I Did (Wakefield Press, $24.95 pb, 336 pp) belong to a foul-mouthed granny named Daisy, who uses them to light her cigarettes, but Webster’s novel about an unlikely group of strangers on a madcap South Australian road trip is as poignant as it is funny.

 

... (read more)

In the wake of other recent compelling débuts – Paige Clark’s meticulously crafted and imagined She is Haunted being a standout – three new short story collections, varying markedly in tone, style, and setting, offer bold and unsettling visions of twenty-first-century life.

... (read more)

In the Room with the She Wolf by Jelena Dinić & Beneath the Tree Line by Jane Gibian

by
April 2022, no. 441

In an impressive first collection, the South Australian poet Jelena Dinić incorporates her Serbian heritage and memories of war-affected Yugoslavia into an Australian migration narrative of clear-sighted beauty. William Carlos Williams wrote in the introduction to Kora In Hell: Improvisations (1920): ‘Thus a poem is tough … solely from that attenuated power which draws perhaps many broken things into a dance giving them thus a full being.’ Although far from improvisational, Dinić’s poetry compositionally integrates both fragility and strength as it draws together diverse experiences of war trauma, cultural displacement, the petty administrative routines of immigration departments, a Malaysian writing fellowship, Australian icons (such as the rainwater tank), folklore, and bathing in the Adriatic Sea.

... (read more)

‘Ern Malley’ – a great literary creation and the occasion of a famous literary hoax – has continued to attract fascinated attention ever since he burst upon the Australian poetry scene more than seventy years ago. But his sister Ethel has attracted little notice, she who set off the whole saga by writing to Max Harris, the young editor of Angry Penguins, asking whether the poems left by her late brother were any good, and signing herself ‘sincerely, Ethel Malley’.

... (read more)

Precise observation is considered a prerequisite for poetry, but there are limits as to what a surfeit of detail can bring to a poem, or even to an entire volume. Three new poetry collections, each different in tone and subject matter, deploy close observation to varying degrees of success across poems that scrutinise domestic tension, interspecies dynamics, landscape, and everyday grace.

... (read more)

More Than Mere Words edited by Paul Monaghan and Michael Walsh & Ethnographer and Contrarian edited by Julie D. Finlayson and Frances Morphy

by
December 2020, no. 427

Anthropology, in my experience, is commonly confused in the popular imagination with archaeology. ‘We study live people, whereas archaeologists study dead people,’ I have sometimes explained half-jokingly to the perplexed. Although public understanding of anthropology’s engagement with living human societies and cultures is at times sketchy, Australian anthropologists have in fact made significant contributions since the 1970s to the recognition of prior Aboriginal land ownership over vast tracts of the Australian continent. The essays in this two-volume Festschrift celebrate the multifaceted life and legacy of anthropologist and linguist Peter Sutton, perhaps the most significant exemplar of this ‘applied’ branch of Australian anthropology.

... (read more)

Geoff Goodfellow is best known as a poet. Out of Copley Street, his first non-verse publication, chronicles his working-class coming of age in Adelaide’s inner-northern suburbs during the 1950s and 1960s.

... (read more)
Page 1 of 5