Patrick White

Coming out from behind

Tom Thompson
Thursday, 22 October 2020

Publishers are like invisible ink. Their imprint is in the mysterious appearance of books on shelves. This explains their obsession with crime novels.

To some authors they appear as good fairies, to others the Brothers Grimm. Publishers can be blamed for pages that fall out (Look ma, a self-exploding paperback!), for a book’s non-appearance at a country town called Ulmere. For appearing too early or too late for review. For a book being reviewed badly, and thus its non-appearance – in shops, newspapers and prized shortlistings.

As an author, it’s good therapy to blame someone and there’s nothing more cleansing than to blame a publisher. I know, because I’ve done it myself. A literary absolution feels good the whole day through.

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'On Patrick White' by Humphrey McQueen

Humphrey McQueen
Thursday, 03 September 2020

I met Patrick White first in 1965. Reduced to 1.9s.6d, he was lying, in an American edition of Riders in the Chariot, on a sale table at Finney Isles department store in Brisbane. So much has changed. Today, we would talk of remainders; the shop has been taken over by David Jones which has in turn been taken over by Adelaide Steamship which later bought up Grace Bros; prices are now given in dollar and cents.

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Writing to Geoffrey Dutton in 1969, Patrick White confesses: ‘All my life I have been rather bored, and I suppose in desperation I have been inclined to weave these fantasies in which I become more “involved”. Ignoble, au fond, but there have been a few results.’

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John McLaren reviews 'The Twyborn Affair' by Patrick White

John McLaren
Monday, 28 October 2019

Like every one of his previous novels, Patrick White’s latest work is both utterly characteristic and completely unpredictable. With the third line, we know we are in for another of White’s dissections of human behavior. ‘“Bit rough, isn’t it?” her chauffeur ventured.’ The verb almost parodies White’s careful placing of human acts any other writer would – perhaps rightly – consider insignificant. It is also characteristic of his more recent novels that the first people we meet are peripheral, people who serve both to comment on the action and to offer a commentary just by their presence. They are the reverse of the chorus of a Greek tragedy in that they are the problem to which the central characters address themselves rather than the passive victims of this address.

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Our new Laureate. Australian Book Review is thrilled to name Robyn Archer as our new Laureate. She joins David Malouf, who became the inaugural Laureate in 2014. Robyn Archer is ...

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The Aspirations of Daise Morrow (Brink Productions)

Ben Brooker
Friday, 16 October 2015

‘Down at the Dump’ is the final story in Patrick White’s 1964 collection, The Burnt Ones. It begins with a colloquial ‘Hi!’, marooned on the story’s first line, and ends with a short, unpunctuated paragraph, intensely poetic, that recalls James Joyce at his least opaque: ‘The warm core of certainty settled stiller as driving faster the wi ...

Patrick White: A theatre of his own

Andrew Fuhrmann
Wednesday, 30 October 2013

Andrew Fuhrmann’s acclaimed Fellowship essay on the theatre of Patrick White closely examines these brilliant, problematic plays and draws on interview material with key directors closely associated with White.

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'Patrick White to the Rescue' by David Carter

David Carter
Wednesday, 28 November 2012

With the centenary of Patrick White’s birth being celebrated this year, it seems appropriate to highlight the great legacy that White left Australian writers in the form of the Patrick White Literary Award. On 16 November, the 2012 Award was presented to novelist, short story writer, and essayist Amanda Lohrey, the thirty-ninth winner since the Award was first pre ...

Peter Craven on Patrick White's 'Happy Valley'

Peter Craven
Thursday, 30 August 2012

Happy Valley is the first of Patrick White’s novels and it is a consistently compelling book, as well as the exhilarating performance of a great writer in the making. Everyone knows the legend, rooted in truth: that Patrick White finds his voice as a consequence of the war and after discovering the love of his life in Manoly Lascaris; and that the first i ...

'Patrick White in Adelaide' by David Marr

David Marr
Tuesday, 24 April 2012

By the time I found him twenty-five years ago in the Adelaide Hills, Glen McBride was old, tiny, spry, and ready to boast about his career. I doubt many readers have heard of this little man or know of his pivotal role in the literature of this country. That’s what had me knocking at his door. And though he disowned none of it in the hours we spent ranging over hi ...

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