Creativity is always an exercise in recycling. Vision comes from revision. In the ancient world, such wisdom was institutionalised; the task of the poet was to powerfully exploit a cultural storehouse of existing plots. Thus the early Greek playwrights reworked the same complex of myths. However, stories are inexhaustible, something that Scheherazade, in another anc ... More
What makes a story compelling? When I was an undergraduate student at Deakin University, I was fortunate enough to be instructed in fiction writing by Gerald Murnane. His key criterion for the worth of a story was its capacity to mark his memory with an enduring image. Over time he used to cull books from his shelves that failed to impress him in this way.
G ... More
Imagine a cross between Tim Winton’s The Turning and Kenneth Cook’s Wake in Fright, and you might very well imagine John Kinsella’s latest collection of fiction, Tide. Kinsella, a Western Australian like Winton, writes of the coast and of the desert, of small-town life and small-town people. However, Kinsella highlights the corruptio ... More
Let us take a look at this place. Marshlands. All the way to the horizon. The land drained, but nevertheless sinking. Sinking into nothing, nothing but itself. Frogs volleying noise in the grass unseen. The hazy movement of mosquitoes low to the ground. On a blade of swamp grass a sleek cricket. Blacker than night and – look closely – its antennae twitching. Jus ... More
A Roānkin philosophy of poetry
by Maria Takolander
I worked for a while with the second cousin of an acquaintance of the notorious Minean nationalist poet, Honoré Tutkanen, whose book The Overall Underling had done little, my colleague and I agreed, to advance sympathy for the pig breeder. This colleague, a lecturer in the faculty of b ... More