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Kathleen Steele

The press release for David Owen’s latest book describes it as a ‘thoroughly researched’ work by a shark ‘outsider’ that aims to ‘comprehensively overturn our negative and damaging perceptions of sharks’. I cannot claim expert knowledge of sharks, but personal experience makes me a suitable subject on which to measure the author’s effectiveness. When I was a child, one of my sisters was bitten in shallow water by a shark that had breached a netted beach in North Queensland. Although her injuries were not life-threatening, the resulting panic had a lasting effect: I rarely swim in the ocean, and have a healthy respect for sharks.

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Ostensibly, Roger’s World is an account of Charles Siebert’s whistle-stop tour of primate retirement homes in America. By the author’s reckoning, there are approximately two to three thousand chimpanzees in America, as well as a substantial number of their primate cousins. He travels across the country, visiting captive chimpanzees on an ‘impromptu farewell tour of our own kidnapped and caged primal selves’, until he encounters Roger, with whom he feels a profound connection.

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The Choir of the Just

Peter Craven’s review of the Macquarie PEN Anthology of Australian Literature has generated much comment, some of it favourable, some not. Much of the latter was concentrated on the Internet, with the kind of reflexive, personality-driven, bien-pensant umbrage that often passes for literary discourse in the blogosphere. James Joyce’s phrase ‘the choir of the just’ springs to mind. What comes through is a shrill note of intolerance, the implication that because certain people disagree with other people’s views, the latter should not be aired. So much for liberal values.

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