Isobelle Carmody
Ruth Starke reviews 'The Midnight Zoo' by Sonya Hartnett and 'The Red Wind' by Isobelle Carmody
I had fun imagining Sonya Hartnett and Isobelle Carmody indulging in a little pre-publication chit-chat:
IC: What are you working on now, Sonya?
SH: A children’s story about two orphaned brothers battling for survival in a world turned upside down; talking animals; themes of freedom and loss. What about you?
IC: A children’s story about two orphaned brothers struggling for survival in a world suddenly turned alien; talking animals; themes of resilience and loss …
The result is two different novels, but the marketing meetings at Penguin must have been interesting.
... (read more)Benjamin Chandler reviews 'The Red Queen' by Isobelle Carmody
Twenty years before Katniss Everdeen competed in The Hunger Games (2008) and dominated the post-apocalyptic landscape, Elspeth Gordie went to Obernewtyn (1987) in her own ruined world. She would grow from orphan outcast to rebel conspirator and community leader, overthrowing religious and secular powers and carrying a darker fate as the Seeker who ...
Isobelle Carmody
Wednesday, 03 June 2015Isobelle Carmody (1958- ) is an Australian writer of science fiction, fantasy, children's literature, and young adult literature. She began the first book in the Obernewtyn Chronicles when she was fourteen and continued to work on the series while completing a Bachelor of Arts, majoring in literature and philosophy. While she is perhaps best ...
My postgraduate student frowned. ‘The Gathering? Isn’t that the one where someone sets a dog on fire?’ Spoiler alert: indeed it is. It is the book’s most memorable scene; it is certainly the most horrific. My postgrad had read Isobelle Carmody’s 1993 novel in high school and that was the first memory of it which surfaced. The scene shocked readers a ...
Benjamin Chandler reviews 'Yellowcake' by Margo Lanagan and 'The Wilful Eye' edited by Isobelle Carmody and Nan McNab
The ten tales in Margo Lanagan’s Yellowcake offer an eclectic glimpse behind the slender veil separating the everyday from the fantastic. The collection is peopled by monstrous gods and godly monsters, by scavengers, drifters, and fascinators. Its landscape incorporates hellish war zones, apocalyptic streetscapes, and haunting carnivals. There is hope and ...