Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Africa

'A fifteen-year-old African genius poet altar boy who loves blondes is not a criminal, not a racist, not a sell-out.’ Perhaps not unlike other fifteen-year-old males, he is prone to bouts of solipsism and radical empathy, as absorbed by superhero fantasies of escape (and retribution) as he is by the semiotics of text messaging and sneakers. He is as unique as the next genius-poet altar boy – but also as generic, an utterly predictable mix of reticence and masturbatory self-aggrandisement. This is the wager of Stephen Buoro’s engaging début, and what renders its narrator-protagonist, Andy Aziza (a genius-poet altar boy who is also, it turns out, a genius mathematician), so memorable. 

... (read more)

R.W. Johnson is a brave man, morally and physically. After apartheid ended, he gave up his Fellowship at Magdalen College, Oxford (with its virtually automatic lifelong tenure) to return to the South Africa he had left as a Rhodes Scholar in the 1960s. For a while he was director of the Helen Suzman Foundation. Then he took the rocky road of the freelance journalist, writing mainly for the British Sunday Times and the London Review of Books. While most South African left-wing whites attached themselves to the ruling African National Congress, Johnson took the less obvious path of backing the Inkatha Freedom Party and its leader, Chief Mangosuthu Buthelezi. Throughout his years back in South Africa, Johnson has written fiercely against what he sees as corruption, mismanagement and foolishness in government. In the process, he has made himself deeply unpopular not just with the ANC but also with the universities that might have otherwise been his natural home in South Africa. His continuing admiration of Helen Suzman – for many years the only white parliamentarian willing to speak out against apartheid – surely deserves acclaim; it is so easy to airbrush individuals like her out of history, because of their class or colour. Often, Johnson sees himself in the role of the boy who wasn’t afraid to say that the emperor’s new clothes were not a masterpiece of tailoring.

... (read more)

Dane Kennedy reminds us that not so long ago exploring held an honoured place among recognised professions. Today, though, the job is extinct. For about a century and a half, the business of exploration was most vigorously pursued in Africa and Australia, yet among the thousands of volumes devoted to ...

... (read more)

The circumstances surrounding Dag Hammarskjöld’s death on 18 September 1961 have been the subject of a catalogue of suspicion, speculation, and official scrutiny since the moment the charred carapace of his plane, the Albertina, was recovered outside Ndola, Zambia. Did it, as the then-Rhodesian authorities ...

... (read more)

Unsurprisingly, Australia leads the world in the production of close-grained studies of convicts sentenced to transportation. Since 1788, it’s what we do. Emma Christopher proves herself to be a crackerjack at tracking down just about anyone who ever stood before an eighteenth-century court. She reels off their crimes, social origins, associates, aliases, lovers, victims, favourite haunts and previous convictions like a bailiff of long experience. What is more, she appears to possess an encyclopedic knowledge of the alleys, lanes and bolt-holes of every city in the British Isles. So stupendous is her talent for conjuring up the atmosphere of the times that most readers will forgive her for too frequently slip ping into the archaic language of the documents she studies.

... (read more)

Mia Couto’s most recent novel (translated into English in 2004) begins with a ‘large organ on the loose’: a severed penis, like a ‘fleshy hyphen’, is discovered lying on a road in the Mozambican village of Tizangara. It seems that another UN soldier has exploded, for in a nearby tree is a telltale blue helmet. A delegation of Mozambican and UN officials descends on Tizangara, and an Italian, Massimo Risi, is left behind to find out why six UN soldiers have been “eclipsed” and who is responsible. The Last Flight of the Flamingo (first published in Portuguese as O ultimo voo do flamingo in 2000) is Couto’s most successful attempt yet to incorporate the animistic traditions of Mozambican culture into a European fictional framework. It is funny, mercilessly satirical and unmistakably African.

... (read more)

On the second last day of the weeklong Poetry Africa 2001 international festival in Durban, South Africa, an interview with me appeared in one of the national newspapers. The text presented me as a returned exile. I was asked questions such as: ‘Have you lost your South Africanness, or do you still need it?’ Since my return to South Africa – I was last here in 1995, just after the first ‘free and fair’ election – I’ve been asked about my feelings towards South Africa and Australia. The questions are always intentionally superficial: there’s a right and a wrong answer. I’ve found that usually the best response is evasion or, better, a lie. In their questioning is a not so subtle politics of decorum: Are you a foreigner? If you are, mind your manners.

... (read more)