Peter Galassi: Henri Cartier-Bresson

Decisive moments

Helen Ennis

 

Henri Cartier-Bresson: The Modern Century
by Peter Galassi
Thames & Hudson and the Museum of Modern Art, $140 hb, 367 pp, 9780500543917

 

 

Everyone, I suspect, has a favourite photograph by Henri Cartier-Bresson. Mine shows two couples picnicking beside what I have always thought was the Marne River but turns out to be somewhere else altogether. Juvisy (1938), as it is now titled, depicts urban workers relaxing near a man-made pond in the suburbs of Paris. This is indicative of the exhaustive research of Peter Galassi and his colleagues, who have brought to light a huge amount of new information on Cartier-Bresson and his photographs. Their book has been published to accompany a Cartier-Bresson exhibition at the Museum of Modern Art, New York, where Galassi is chief curator of photography.

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Published in November 2010 no. 326
Helen Ennis

Helen Ennis

Helen Ennis holds the William Dobell Chair in Art History at the Australian National University, and is a past ABR Fellow.  She is an independent photography curator and writer specialising in the area of Australian photographic practice. Her publications include Reveries: Photography and Mortality (2007) and Photography and Australia (2007). Her biography Margaret Michaelis: Love, Loss and Photography (2006) was awarded the Nettie Palmer Prize for Non-Fiction in the Victorian Premier’s Literary Awards, and the prize for Best Book from the Power Institute of Fine Arts and the Art Association of Australia and New Zealand. She is currently writing a biography of the photographer Olive Cotton. (Photograph by William Yang)

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