Fremantle Press

Determining connections between books sent as a review bundle is not mandatory, but there is an irresistible tendency to find some common theme. In the case of these three novels, the theme of women’s pain, and hidden pain at that, does not need to be teased out – it leaps out. Since it is unlikely that three different authors would have colluded, the prevalence of this is worth deeper reflection, especially considering recent titles such as Kylie Maslen’s essays on illness, Show Me Where It Hurts, or Kate Middleton’s extraordinary memoir essay ‘The Dolorimeter’, placed second in the 2020 Calibre Prize.

... (read more)

Liz Byrski’s introduction to Women of a Certain Rage is, among other things, a homage to second-wave feminism and a lament that feminism, ‘originally a radical countercultural movement’, has been ‘distorted into a tool of neoliberalism’. While there is no doubt that strains of feminism have been co-opted by neoliberalism to debilitating effect, this narrative – that feminism has become ineffectual since the 1970s – is one that erases many contemporary feminisms, as well as broader feminism-informed political movements and the work that they have done and continue to do.

... (read more)

John Tranter reviews 'Desert Mother' by Philip Collier

John Tranter
Thursday, 01 October 2020

Desert Mother is a collection of poems from a West Australian writer in his late twenties who now lives in Sydney. Many of the poems in it have a double layer of nostalgia – a personal one, for a lost adolescence, and a general one for small towns left on the edge of history.

... (read more)

Cheryl Jorgensen reviews 'Equator' by Wayne Ashton

Cheryl Jorgensen
Monday, 14 September 2020

Equator, a rambunctious, unwieldy novel, begins in a Spanish orphanage with an elderly watchdog, Pinski. According to the narrator, who is addressing a large orange butterfly, Pinski has succumbed to the heat of the day and cannot be bothered protecting his human charges. The human characters – and therefore, by association, those who are reading his story – are called ‘the custodians of the nectar’. This rather beautiful metaphor is used many times in Equator, as are dialogues, which become incantations about good and evil.

... (read more)

I will always remember the first time I heard Kim Beazley Sr speak. It was at Kingswood College at the University of Western Australia, a year or two before the election of the Whitlam government. He spoke on the question of Aboriginal land rights, culture and spirituality. It was a spellbinding address which put the sword to the prevailing doctrine of assimilation. It wasn’t just the content of the speech which captured the interest of the student audience but the passion with which it was delivered. Like many there, my own thinking on the subject changed forever.

... (read more)

Marion Campbell’s first book is an ambitious work in which large themes are explored through the consciousness of a complex character, Rita Finnerty, a twenty-five-year-old Australian artist living in France. The writing is richly dense with images, symbolic clues, psychological insight poetic and painterly language, time layered with memory and even stories within the story.

... (read more)

The Fremantle Arts Centre Press is an example of what a state-oriented press can do. Under intelligent guidance and with sympathetic but not irresponsible state funding assistance, it has now established a solid reputation for publishing good­looking and worthwhile books. If west coast writers are now better known in the east than they were several years ago, this is only partly due to their qualities as writers, good though some of them undoubtedly are. It is also because the Fremantle Arts Centre Press has actively encouraged and promoted west coast writers, giving them the confidence that only professional book publication can.

... (read more)

At various times in its history, the Australian short story has been predictable, as editorial and public appetites have limited experimentation. I am glad to be reading now, when approval can be conferred on collections as different and as variously excellent as Julie Lewis’s The Walls of Jericho and Peter Skrzynecki’s The Wild Dogs. Lewis’s work is more formally experimental than Skrzynecki’s, but both collections offer insight into the social and the literary.

... (read more)

Stephen Dedman reviews 'True West' by David Whish-Wilson

Stephen Dedman
Monday, 24 February 2020

True West is the latest historical crime thriller from David Whish-Wilson, author of The Summons (2006), Perth (2013), The Coves (2018), and the Frank Swann series. True West is set in Western Australia in 1988, the time when Jack van Tongeren’s Australian Nationalist Movement (ANM) was papering the city with hundreds of thousands of racist posters, and when John Howard and Ian Sinclair were calling for a reduction in Asian immigration. True West ’s protagonist, seventeen-year-old Lee Southern, is on the run from the Knights, a Geraldton-based bikie gang whose marijuana plantation he torched in retaliation for his father’s murder.

... (read more)

Anne Diamond reviews 'Sister Ships' by Joan London

Anne Diamond
Friday, 07 February 2020

Fiction which is well-choreographed is difficult to resist. Joan London’s first collection of short stories, Sister Ships, is a dancerly go at mimesis; poised, unerring, it keeps its promises. And to run the tautological line between ‘literature’ and life, as all writing must, reminds us of the possibility for faux pas as well as the pas de deux; in one instance, an amnesia as to what has already been said, and in the other, stories which are so gracefully designed that they can say the same thing twice, or more, and we remember and witness such repetitions with pleasure.

... (read more)
Page 1 of 3