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Nick Riemer

Everything happens fast and then goes –
the new movie you were waiting for
that you’ve suddenly just seen, the tunnel
under the harbour that seemed to take forever
now built and grooved by a million trips.
In winter fruit trees bud, shops
are full of summer clothes; only this
mind is slow, still stalling on the same
questions, never getting it, left behind
by life as by some wild-eyed nag
storming down the street, her hoofprints
pasted in the grass.

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Phosphorescence by Graeme Miles & Peeling Apples by Tessa Morris-Suzuki

by
May 2006, no. 281

The title of Nick Riemer’s first volume of poems is taken from a piece of graffiti in a Sydney church, and the poems therein are aptly replete with a peripatetic, contemporary metaphysical wit. The volume as a whole has a sharp, cultivated air of philosophical enquiry, tending to nihilism, and is shot through with the poet’s continuous testing of the limits of language.

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