Archive

Zygmunt Bauman has a talent for metaphors. When, in the late 1980s, he entered the fray of the modernity/postmodernity debates, he suggested that, while premodernity had been presided over by ‘gamekeepers’ managing a disorderly nature and society, modernity was presided over by ‘gardeners’ obsessed with creating order out of messy reality. In his most recent work, beginning with Liquid Modernity (2000), Bauman uses the metaphor ‘liquidity’ to depict modernity’s contemporary phase, in the process leaving behind his previous flirtation with the concept of postmodernity.

This marvellous first novel may be historical fiction, but its themes and concerns are by no means limited to the past. Sara Knox interweaves questions of gender and identity, sexuality, class and the overarching issue of morality in times of war.

Advance Australia … Where? is such an eye-catching pun on Australia’s national anthem that it is no wonder that it has been used, with slight variations, as the title of at least eight books and pamphlets since World War II. Such publications have tended to express an individual author’s vision for the nation. In contrast, the latest Advance Australia … Where?, written by Hugh Mackay, mainly discusses current trends in public opinion, although it includes a few cautious predictions about the future and a number of suggestions for social reform.

There has been talk recently about the loss of regionalism in Australian literature and culture, and about the decline of Australian literature generally, but these two novels suggest that not only is Australian fiction flourishing but it is finding new ways to engage with the cultures of the region. They represent innovative interactions between Australia and Asia, for a popular audience.

Nolan On Nolan: Sidney Nolan in His Own Words, edited by Nancy Underhill, is an important publication which elucidates the importance of literature and poetry in Sidney Nolan’s creative process. The collection also highlights the painter’s relationships with a diverse range of celebrated artists and writers, including Benjamin Britten, Robert Lowell, Samuel Beckett and Patrick White. Drawn from archives in Britain, Australia and the United States, the publication does much to rescue the artist from his overly valorised years spent with John and Sunday Reed at Heide. In place of the artist’s well-documented Australian associations, here we find Nolan the internationalist.