ABR Behrouz Boochani Fellowship
Hessom Razavi was the recipient of the 2020 ABR Behrouz Boochani Fellowship. The Fellowship, worth $10,000, honoured the artistry, courage, and moral leadership of Behrouz Boochani, the award-winning author of No Friend But the Mountains (2018). Dr Razavi made a significant contribution to the magazine in 2020 with a series of three substantial articles o ... (read more)
Hidden Author
Nolan and his comic cobber
Sidney NolanThames & HudsonReviewed by Robert Hughes (Artist and art critic of Nation)
This article was originally published in the November 1961 issue of ABR.
Thames & Hudson’s Nolan book is in danger of becoming a standard work. It should not. It is a blatant promotion job, with few claims to be a serious evaluation of Nolan’s oeu ... (read more)
Calibre – ‘Body and Soul’
Matt Rubinstein is the overall winner of the sixth Calibre Prize for an Outstanding Essay. His essay, entitled ‘Body and Soul: Copyright Law and Enforcement in the Age of the Electronic Book’, could not be more timely – a probing, meticulously researched survey of inherited notions of intellectual copyright and of new, accelerating challenges to such in the f ... (read more)
Fairfax Central
Dear Editor,
We, the undersigned, wish to draw to national attention the implication of the upcoming Fairfax consolidation of The Age, Sydney Morning Herald, and the Canberra Times book sections. This has the potential to reduce significantly the content of the three separate sections in terms of both the number of books covered and reviewers. The same review would appear ... (read more)
ABR moves to Southbank
While this issue is printing, we’ll be moving to our new office in Boyd, a wonderful extension of the City of Melbourne’s Creative Spaces program. Advances has already written about the many benefits of our new home in the old Boyd High School in Southbank. Now we look forward to settling in, getting to know our artist-neighbours in the other studios, and welcom ... (read more)
Overlooking Max Harris
Dear Editor,
David Marr, in his article about the premières of three of Patrick White’s plays in Adelaide (ABR, May 2012), presents Geoffrey Dutton as the principal player in this story. However, any essay about White’s Adelaide performances should acknowledge the roles of Max Harris and Harry Medlin.
... (read more)
Miles and the mindset
How refreshing it was to read – on the announcement of the 2012 Miles Franklin Literary Award’s shortlist – that The Trust Company, which administers the Miles, has written to the judges ‘authorising them to use their discretions to modernise the interpretation of “Australianess” (sic) beyond geographical boundaries to include mindset, language, history a ... (read more)
Why do you write?
When I was young I tried different things: drawing, painting, music, poetry, short stories, journalism, reviewing, but poetry turned out to be what I was best at.
Are you a vivid dreamer?
Oh, yes. I always dream in colour, and I can remember how things are oriented in my dreams — which way is north, I mean, and where the coast is. I think I developed that talent as a ch ... (read more)
New home for ABR
Happily, ABR has a new home, well away from the egregious fashions of Bridge Road, Richmond. Soon we will be moving to a new community hub in Melbourne’s Southbank precinct. The City of Melbourne has renovated the nineteenth-century J.H. Boyd Girls’ High School on City Road, and our new office (not finished when we took this photograph!) will be infinitely superior ... (read more)
Muddying the waters
Dear Editor,
A substantial part of Peter Hill’s review of my book Permanent Revolution: Mike Brown and the Australian Avant-Garde 1953–1997 recounts the artist’s prosecution for obscenity following the visit of the head of the Darlinghurst vice squad to Brown’s exhibition Paintin’ A Go-Go at Sydney’s Gallery A in November 1965 (March 2012). As I pointed out ... (read more)