Robert Adamson

Peter Craven reviews 'The Clean Dark' by Robert Adamson

Peter Craven
Wednesday, 11 December 2019

Robert Adamson has as secure a reputation as any poet in this country apart from Les Murray. He rose to prominence in the latter part of the 1960s at the same time as John Tranter, but his affinity was not with the New York poets like John Ashbery and Frank O’Hara, but with the poets of Black Mountain: Charles Olson, Gary Snyder, and, most particularly, with the late Robert Duncan.

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Critics often comment on the ‘shape’ a poem makes – not the concrete form of the words on the page, but the poem’s conceptual trajectory, the statement, development and resolution (or lack thereof) of its central theme. What is most striking about Robert Adamson’s first collection of poems published in North America, The Goldfinches of Baghdad, however, is the shape the collection makes as a whole ...

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Books of the Year 2015

Robert Adamson et al.
Monday, 23 November 2015

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

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'Dorothy Wordsworth', a new poem by Robert Adamson

Robert Adamson
Wednesday, 24 September 2014

Wisps of smoke, lamplight on manuscripts.
Pages fanned across an oak stool.
The hearth absorbs the stain of living.

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Robert Adamson is Poet of the Month

Wednesday, 24 September 2014

Which poets have most influenced you?

First encounters sink deep: Shelley, Blake, Hopkins, Yeats. The Revelators in my youth: Rimbaud, Lorca, Hart Crane. The Golden Codgers of middle age: Mallarmé, Emily Dickinson, Lorine Niedecker, Robert Creeley, Robert Duncan, and David Malouf. Life Support: Wallace Stevens and Thomas Traherne. The D ...