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Kristie Dunn

What exactly is popular culture? Does Big Brother really pose an inherent challenge to law? And what connection does the regulation of cyberpornography have with the film Pretty Woman? These are some of the questions I was left with after reading Romancing the Tomes, a cross-disciplinary collection of conference papers exploring the ‘uneasy relationship’ between law and popular culture from a feminist perspective.

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Those of us who walk across bridges in support of reconciliation, and sign Sorry Day books, do so because we feel an obligation to recognise and apologise for the destructive legacy of past practices. Sometimes we can speak directly to those people who were taken away; often we are addressing their descendants. As the prime minister continues to point out, many of us are apologising for something for which we are not individually responsible. So what is the source of this sense of obligation, and how can saying sorry make a difference?

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