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Archive

Living in Berlin during the rise of the Nazis, Christopher Isherwood wrote the stories that first brought him fame and later became the basis for the musical Cabaret. This was the period that Isherwood mined for his ground-breaking memoir, Christopher and His Kind (1976).

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The kindness of patrons

Early last month we launched our Patrons Scheme. One hundred friends and supporters celebrated the event in style at ‘Cranlana’, in Melbourne. A full report appears on page 5, next to a list of all our Patrons. For ABR, as we have already reported, private philanthropy is absolutely essential. Without it we can’t grow, can’t take the odd risk, can’t introduce many new features.

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Name a selection of your own most interesting and iconic Australians of the last century. My personal list would begin with John Monash, Donald Bradman, and W.K. Hancock.

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According to the author’s note at the end of The Grand Hotel, this will probably be the last of his stories to be set in fictional Mangowak, a coastal town in south-western Victoria. The first, The Patron Saint of Eels (2005), won the 2006 Australian Literature Society Gold Medal. The second, Ron McCoy’s Sea of Diamonds (2007), was shortlisted for the 2008 New South Wales Premier’s Prize for Fiction.

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Ciara's Gift by Una Glennon & Murderer No More by Colleen Egan

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July–August 2010, no. 323

In 1996–97, three young women were abducted from the nightclub area of Claremont in Perth, and murdered. One of them was a young lawyer, Ciara Glennon. Her mother, Una Glennon, has written a memoir of her passage from despair, anger and grief to a mature and rounded understanding of the complexity of the human condition. Her book is a wise and beautiful one – written sparingly, without unnecessary personal embellishment. ‘Life can only be understood backwards, but it must be lived forwards,’ she says, quoting Kierkegaard.

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The Clinton Tapes by Taylor Branch & The Death of American Virtue by Ken Gormley

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July–August 2010, no. 323

While Americans squirmed or vented self-righteous outrage at the revelation of their president’s escapades with Monica Lewinsky, the rest of the world seemed bemused. Oxford history fellow, George Cawkwell, who knew William Jefferson Clinton in his 1960s Rhodes Scholar days, was worldly in defence of his former student: ‘I think the truth is that people behave in sex matters in a way they’d never behave in anything else.’ He counselled English discretion: ‘We don’t attack our monarchs all the time. It wouldn’t have been good for people to have known every bit about Henry the Eighth.’

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Busted

Dear Editor,

In his essay ‘Seeing Truganini’ (May 2010), David Hansen focused on the politics around the Benjamin Law busts of Truganini and Woureddy. As an aside, he mentioned that ‘Law’s only other known bust, of Robinson himself, has been lost’. It is ironical that, as Hansen’s essay was going to print, Gareth Knapman (Museum Victoria) and Olga Tsara (State Library of Victoria) located one of the George Augustus Robinson busts in the State Library of Victoria.

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The Book of Human Skin details the trials and tribulations of an innocent Venetian noblewoman named Marcella Fasan, a girl ‘so sinned agin tis like Job in a dress’, Gianni delle Boccole, loyal family servant and bad speller, explains. Marcella’s principal antagonist is her older brother Minguillo, who, out of filial jealousy and a desire to be the sole heir to the family’s New World fortune in silver, makes her a prisoner, a cripple, a madwoman, and a nun. Think Jacobean tragedy meets Gothic novel, then add some – namely a crazy Peruvian nun called Sor Loreta, who, in between fasting and self-flagellation marathons, terrorises the saner sisters at the convent of Santa Catalina in Arequipa. It is these four characters – Gianni, Marcella, Minguillo, Sor Loreta, plus the kindly Doctor Santo Aldobrandini, a specialist in skin and its maladies – who, unbeknown to one another, take turns narrating this novel.

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Shirley Shackleton is well known to those acquainted with the story of the fight for justice by the families of the Balibo Five, the five reporters who were slaughtered in 1975 in a border town of what was then Portuguese Timor. Her husband, Greg Shackleton, and his colleagues, Gary Cunningham, Tony Stewart, Brian Peters and Malcolm Rennie – all in their twenties – were killed by Indonesian soldiers at dawn on 16 October, shortly after filming a major infantry, naval and air attack on the town of Balibo.

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Carphology, in case you have forgotten, is the ‘delirious fumbling with bedclothes’, as stated in the epigraph to David Musgrave’s poem of the same name, which is not about a pathology but, energetically though bleakly, about passion and sleep. The epigraph to the book as a whole is taken from Christopher Smart’s Jubilate Agno, fragment C1: ‘God be gracious to Musgrave, for he is a Merchant.’ Tongue in cheek, but Musgrave does indeed have wares and they are finely assembled configurations of words. The poems in Phantom Limb often suggest, rather than explicitly display, Musgrave’s erudition. There is a communicative ease about the enterprise, if this can be said about poems that continue to declare themselves after multiple readings. In them there are elusive depths combined with surface pleasures.

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