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Lauris Elms

Sneer tactics

Dear Editor,

Perhaps you will allow me to reveal that this is the second letter I have written to ABR in response to Richard King’s review in the November 2001 issue under the heading ‘One Long Giving Away’. The first letter was rejected because it was too long, because it quoted two short poems from the poets under attack, because of references to an earlier article I had written, and because of a comment about the review’s tone.

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Any book documenting the life and work of a famous artist invariably paints a picture of an era. This autobiography by the outstanding Australian contralto Lauris Elms is no exception. The postwar years in Australia saw the emergence of so many talented young singers that one can’t help but label that period a ‘golden age’. At a time when many of them, almost by necessity, departed for Europe or the UK, their combined successes on the world opera stage never ceases to amaze. An enviable standard was set which has been maintained to this day, even if the individual successes are not quite so spectacular.

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