Sonya Hartnett is one of the most various of good writers. In particular, she is good at creating atmosphere: a distinctive world for every story. As a consequence, every book she writes is a different style of book. Take some recent examples. The Ghost’s Child (2007), with its plot like a fable, reads like an old tale told in an outdated language of ‘sou’westers’ and ‘fays’. Its form, language and style are so consistent its oddity seems like part of its simplicity. In contrast, Surrender (2005), a horror story, has a style of calculated Gothic, playing narrative games to manufacture menace.... (read more)
I had fun imagining Sonya Hartnett and Isobelle Carmody indulging in a little pre-publication chit-chat:
IC: What are you working on now, Sonya?
SH: A children’s story about two orphaned brothers battling for survival in a world turned upside down; talking animals; themes of freedom and loss. What about you?
IC: A children’s story about two orphaned brothers struggling for survival in a world suddenly turned alien; talking animals; themes of resilience and loss …
The result is two different novels, but the marketing meetings at Penguin must have been interesting.... (read more)
If you are regretting the passage of another summer and feeling nostalgic about the lost freedoms of youth, Sonya Hartnett’s latest novel, Surrender, may serve as a useful tonic. In Hartnett’s world, children possess little and control less, dependent as they are on adults and on their own capacity to manipulate, or charm ...... (read more)
Sonya Hartnett’s début as editor of The Best Australian Stories is marked by a series of fictions about dysfunctional families, eccentrics, and misfits. The homeless, lonely, disenfranchised, intellectually disabled, sick, afflicted, even the dead, are featured alongside the privileged, rich, and famous in a macabre mardi gras. Readers familiar with Hartne ...
Ruth Starke reviews 'The Children of the King' by Sonya Hartnett, 'The Tunnels of Tarcoola' by Jennifer Walsh, 'Red' by Libby Gleeson: 'Mystery at Riddle Gully' and Jen Banyard
Cecily Lockwood’s heart ‘bounced like a trout’. An arresting simile on the first page of a novel is always a good sign, but will this piscatorial comparison mean anything to young readers? No matter, back to those footsteps climbing the dark stairs to twelve-year-old Cecily’s room, where she is quailing under the bed. She pictures her older brother Jeremy in the next room, his ...
Few writers, it could be argued, have ever cannibalised life for their art as ruthlessly and consistently as did Martin Boyd; and few are born into situations which lend themselves so readily to art. Boyd’s working life – indeed, much of his entire existence – was spent trying to unite the past with the present, the old world with the new, himself with the man ...
Wolf Creek (Australian Screen Classics)
by Sonya Hartnett
Currency Press, $16.95 pb, 64 pp, 9780868199122
Wolf Creek, released in 2005, was always smarter than your average slasher. Anchored by a brillian ...