Christos Tsiolkas

by Christos Tsiolkas

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November 2021, no. 437

On page 20 of my advance copy of , I insert a line in the margin: ‘Starting to sound like Sōseki’s Kusamakura here’. I had met the author of the passage – a man named Christos Tsiolkas – at the Sydney Writers’ Festival in May, sidling up to the Clare Hotel breakfast bar at an enviably early hour each morning to enjoy fruit and festival conversation. As my pen hovers, I wonder how that gregarious and personable figure squares with the bittersweet register of this novel.

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The man traditionally held to have written about half of the New Testament is variously known as Saul of Tarsus, Paul the Apostle, and St Paul. Initially an enthusiastic persecutor of the earliest Christians, he underwent a dramatic conversion shortly after the Crucifixion, and it is on this moment that his life, and Christos Tsiolkas’s new novel, both turn. Damascus covers the period 35–87 ce, from shortly before Paul’s conversion until twenty or more years after his death. This chronology is not straightforwardly linear, with an assortment of narrators recounting their personal experiences, at various times and from various points of view, of Christianity’s birth and spread amid the brutal realities of the Roman Empire.

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Ten years after the first ABR FAN Poll, the second one was limited to Australian novels published since 2000 (though we received votes for recent classics such as 1984, Voss, and Monkey Grip). When voting closed in mid-September, Richard Flanagan’s Booker Prize-winning novel The Narrow Road to the Deep North emerged ...

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The Western world was well into the swing of our proverbial digital age when Patrick White passed away at his home on Martin Road in Centennial Park at the age of seventy-eight in 1990. Yet, as Christos Tsiolkas suggests at the outset of this taut and lively meditation on Australia’s greatest novelist, Patrick White is often ...

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The slap that I wanted to deliver with that book was to a culture in Australia that had literally made me sick, sick to the stomach. A middle class culture that struck me as incredibly selfish and ungenerous … I wanted to try and write a book ... that represented that culture. And to do that, honestly, I had to put myself in the middle of it. I also had to put my Greekness in the mid ...

Christos Tsiolkas (1965–) is a Melbourne author, playwright, and screen writer. His début novel Loaded (1995) was made into the film Head-On (1998). Since then he has written five novels, including Dead Europe (2005), which won the Age Book of the Year fiction award, The Slap (2008), which won the 2009 Commonwealth Writer's Prize,

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Christos Tsiolkas has established himself as a fiction writer to be reckoned with, especially since the publication of the explosive Dead Europe (2005) and the bestselling The Slap (2008). His latest novel, Barracuda (2013), marked a return to the adolescent anger and simpler naturalism of his early work. So his new volume of stories, Merciless Gods, may offer some help in understanding the trajectory of his career and his changing interests.

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Barracuda by Christos Tsiolkas

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November 2013, no. 356

Rosemary Sorensen review Christos Tsolkas’s new novel, Barracuda, another bracing study of masculinity, this time focusing on an ambitious and conflicted young swimmer at a Melbourne private school.

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The Slap (ABC)

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27 September 2011

The Slap by Christos Tsiolkas

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November 2008, no. 306

In early 2018, Christos Tsiolkas published a long essay as part of a series commissioned by the Sydney branch of PEN, an organisation dedicated to freedom of expression. ‘Tolerance’, which appeared in Tolerance, Prejudice and Fear (2008), is an interesting document, not least for the way it highlights how compelling yet exasperating a writer Tsiolkas can be.

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