Cassandra Pybus

The extraordinary life of Truganini, an Aboriginal woman known as the 'last Tasmanian', is explored in this turbulent history by Cassandra Pybus. An inspiring and haunting story, Truganini’s life spanned psychological and cultural shifts nearly beyond comprehension. In this episode of The ABR Podcast, Billy Griffiths, author of the award-winning Deep Time Dreaming, reviews Truganini, Pybus's history of a woman reclaimed by the Tasmanian Indigenous community as a symbol of 'rights, identity, ownership, and survival'. 

... (read more)

Open Page with Cassandra Pybus

by Australian Book Review
April 2020, no. 420

When I was younger and could tolerate copious amounts of alcohol, I really enjoyed writers’ festivals, especially in Canada, where they are often in stupendous landscapes. I made some lifelong friendships with marvellous writers and enjoyed memorable late-night conversations in the lobbies and bars of swish hotels.

... (read more)

Truganini: Journey through the apocalypse follows the life of the strong Nuenonne woman who lived through the dramatic upheavals of invasion and dispossession and became known around the world as the so-called ‘last Tasmanian’. But the figure at the heart of this book is George Augustus Robinson, the self-styled missionary and chronicler who was charged with ‘conciliating’ with the Tasmanian Aboriginal peoples. It is primarily through his journals that historians are able to glimpse and piece together the world fractured by European arrival.

... (read more)

In the wake of the spectacular collapse of Rothwells and unsavoury revelations about Western Australian entrepreneurial enterprise, it is very apposite for Penguin to have republished Nick Hasluck’s 1980 novel, The Blue Guitar. This novel, as relevant now as nine years ago, deals with the world of entrepreneurship with its illusory money, fast talk, and duplicity. It is a world of the corrupt and the corruptible, where principles and moral certainties give way before glib notions of innovative thinking and flexibility.

... (read more)

Pomegranate Season by Carolyn Polizzotto & Till Apples Grow on an Orange Tree by Cassandra Pybus

by
June 1998, no. 201

Two autobiographical works, both by women historians, are presented in the elegant small format which often says ‘gift book’ and may suggest more surface charm than substance. In fact, there are at least as many contrasts as resemblances between the two, and although the mood is quietly reflective, there is no easy nostalgia.

... (read more)

I remember a conversation a year or so ago with an Australian scholar who had recently returned after a stint in Europe and was astonished to hear colleagues refer to Henry Reynolds as a ‘populariser’ and not true historian. I’ve heard it myself. Now that Reynolds has become a full-time writer we can expect to hear it more often. All of which goes a long way toward explaining why academic history is in decline.

... (read more)

Greg Dening was trained for the Catholic priesthood. He became an outstanding historian of the Pacific, although perhaps better described as an anthropologist-historian, in company with Clifford Geertz, Marshall Sahlins, Nathalie Zemon Davis, and his colleague Rhys Isaac, to whom this book is warmly dedicated. Yet echoes of his initial calling linger in his work, certainly as evidenced in this collection of essays.

... (read more)

Red Hot Notes edited by Carmel Bird

by
April 1996, no. 179

Were it not for the timing, it would be easy to speculate that this richly evocative collection of pieces about music was the inspiration for Jane Campion’s glorious film, The Piano. So many elements of the film – the dominant image of the beached piano, the powerful undertow of sexual passion, even the unexpected violence-are present in this book in the most uncanny similitude. I should not be surprised since Carmel Bird has already displayed her uneasy fascination with the film in her dazzling essay ‘Freedom of Speech’ (in Columbus’ Blindness and Other Essays) and in her introduction to Red Hot Notes she admits that the film was a catalyst for the idea of various writers exploring ‘the complex feelings that surround, and embed themselves in, the human response to music’.

... (read more)

Dear Editor,

Dr Jenna Mead claims, among other things in her most recent attempt to discredit The First Stone, that I have ‘invented dialogue’ and written ‘hypothetical meetings with imaginary characters’. All the conversations and encounters in the book are documented in detailed, scrupulous notes. This includes my account of a telephone conversation between Dr Mead and me, which she would perhaps prefer to think of as a figment of my ‘merciless imagination. If only Dr Mead were an imaginary character – but it would strain the ingenuity of a better writer than I am, to have dreamt her up.

Helen Garner, Elizabeth Bay NSW

... (read more)

Dear Editor,

How disappointing your cover feature on The First Stone turned out to be. I feel very let down by the most mediocre review I’ve read on this most talked-about work. Your former Editor, Rosemary Sorensen, wrote a superb, thought-provoking piece in the Sydney Morning Herald. I expected the review in ABR to be of similar quality.

Brian White, Elwood, Vic.

(Ed’s reply: You might be interested to know that the Sydney Morning Herald chose to republish a shortened version of Cassandra Pybus’s review of The First Stone, on Wednesday 10 May, acknowledging it was first published in ABR.)

... (read more)
Page 1 of 2