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Peter Beilharz

Over the past three decades, Peter Beilharz has carved out an important space in Australian social and socialist theory. Co-founder of the journal Thesis Eleven, Beilharz’s work ranges from studies of Australian labourism and European social democracy to more general works in socialist and social democratic theory. Alongside these he has written two important works addressing the themes of culture and modernity. One of them is a study of Bernard Smith (Imagining the Antipodes, 1997) and the other is on the Polish émigré sociologist Zygmunt Bauman (2000). The essays collected in Beilharz’s latest volume cover much of his intellectual journey over a period of twenty-five years ‘from socialism, to modernity, via Americanism’, as he titles his introduction. Beilharz well understands that the art of the essay is conversation rather than argument, raising possibilities rather than seeking a single answer. All the essays – engaging, learned, and undogmatic – reflect the kind of pluralistic and open-ended politics that Beilharz is concerned to promote.

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History was work for Stuart Macintyre (1947–2021), writing was his pleasure, and he excelled at both. Peter Beilharz and Sian Supski, scholars from outside Macintyre’s own discipline of history, underscore the breadth of his interests and networks by initiating this collection of twenty-seven essays. They wish to honour Macintyre’s work and interrogate ‘the Macintyre effect’. That effect stemmed from prodigious scholarly output, intervention in national debates, political connections, service to professional bodies and key cultural institutions, a long career of teaching and leadership at the University of Melbourne, and mentorship. 

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Reflected Light: La Trobe essays edited by Peter Beilharz and Robert Manne

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September 2006, no. 284

In 1993, when he was editor of Quadrant, Robert Manne published a short essay, which is collected in his recent book Left Right Left (2005), called ‘On Political Correctness’. The essay rehearsed some familiar right-wing arguments against this ‘highly intolerant’ doctrine and the threat it posed to academic freedom. Manne’s political opinions have, of course, undergone a considerable realignment in the intervening years, and so has the national political landscape. While the term ‘political correctness’ has proved far too convenient to disappear completely, these days it is heard less often and is generally invoked with less heat. This is partly because, over the past decade or so, it has done its job of denigrating any leftish sounding opinion so effectively.

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Empire is everywhere. You can see it in the shanty towns of São Paulo and on the coffee tables of the well-heeled in Boston and Sydney. It made us, in its British form, in the antipodes via the expeditions of Cook and Banks, and all that followed. Now it dominates our newspapers and television screens in the form of war.

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Hughes by Andrew Riemer & Ellis Unpulped by Michael Warby

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November 2001, no. 236

Sydney, as everybody knows, is Australia’s world city, always has been. It offers the urban metonym – Opera House sails – which, together with Uluru, is Australia to the outside world. And it generates, or generated, a particular kind of intellectual, the Sydney larrikin, rogue male. These books claim to cover two such, Bobs Hughes and Ellis. How might we receive them?

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Bauman’s point of departure

Dear Editor,

Boris Frankel bursts in through open doors. He gives Zygmunt Bauman and me stick for speaking our truths (ABR, October 2001). Viewed in its own terms, what remains of the Left in Australia is in a bad way because it has failed (1) to clarify its ethics, norms and values and (2) to develop alternative visions and policies upon them; because (3) there is no popular bearer or social movement available to carry these invisible ends; and (4) because there is no evidence of popular support for a new society, present unhappiness and misery notwithstanding. If this is not modern, what is it? (If the Soviet and Nazi experiences were not modern, what were they?)

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Why bother reading Who’s Who in Australia? Obviously, it’s a tool, a standard reference, a source of information, a biographical detail, a register – a social register – a place to find an address, or to wonder who’s in, who’s out, who calls the shots. It is also a social symbol in its own right. To read it, to browse or peruse it, is to receive some sense of its own significance and pertinence in Australian social life.

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Why do we read what we read? Bookshelves groan with biography, travel, social theory far left corner, cultural studies creeping up the front, Baudrillard in the back door and out the front. Some people’s books get featured in the weekend papers, others go straight into the back of the car and the second-hand shops. Love, sweat and tears … what’s it all for?

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