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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

Interview

From the Archive

October 2007, no. 295

Letters to the Editor

Real what?

Dear Editor,

I have followed with interest the dispute between John Carmody and James Ley that proceeded the latter’s exceptionally sensible and even-handed review (March 2007) in which Mr Ley criticised those who maintain the divide between high and popular culture.

From the Archive

May 2010, no. 321

Creative Lives: Personal papers of Australian writers and artists by Penelope Hanley

Creative Lives presents short biographical essays on twenty-two Australian writers (two of whom are also notable artists); but it is just as much a book about the value and purpose of the National Library of Australia’s Manuscripts Collection. Ironically, the book offers little documentation of the process by which it came to be written. Hanley does tell us, however, that she ‘was asked to write a book on twenty of the writers whose papers are held in the Manuscripts Collection’ and eventually chose twenty-two.

From the Archive

September 2014, no. 364

Hans Christian Andersen: European witness by Paul Binding

How a writer bears witness to his age is necessarily the expression of many things, not least the possibly quite peculiar nature of an author’s life. Literary works often emerge from complex upbringings, from periods of youthful isolation spent reading and writing. More still seem to have been written as a result of the fraught relationships that befall authors, perhaps because authors so often view their relationships with a degree of creative and critical distance. And yet, if a writer’s output evidences an unusual life, it also witnesses broader questions being asked by a community as a whole. At some level, even the most remarkable figures are typical of their age, and reflections of it. By the close of Paul Binding’s study of the life and works of Hans Christian Andersen (1805–75), we are reminded that extraordinary feats of originality and imagination are often the result of how unique minds enter wider discourses.