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ABR Arts

Book of the Week

A Memoir of My Former Self: A life in writing
Memoir

A Memoir of My Former Self: A life in writing by Hilary Mantel, edited by Nicholas Pearson

In the title piece of this posthumous selection of reviews, criticism, essays, and journalism, Hilary Mantel describes how she once visited an irritating psychic she nicknamed ‘Twerp’ in order to guide her back to her former self: ‘I didn’t necessarily think I had a past life, but I wanted to know how it would feel if I did.’ Her former self turns out to have been a ‘miserable illegitimate infant’ called Sara, born to a family of millworkers in the north of England. Sara isn’t an unlikely candidate: Mantel’s mother worked in a cotton mill from the age of fourteen, as did her maternal grandmother, who left school aged twelve; Mantel’s great-grandmother had been illiterate. Mantel comes from ‘a long line of nobodies’. All that ‘Twerp’ wants to ask Sara is whether or not she is courting, when the real love of Sara’s life is Billy, her white bull terrier. ‘If Sara had slapped him,’ Mantel wonders, ‘what sort of a defence would I have had to a charge of assault?’

Interview

Interview

Interview

From the Archive

From the Archive

August 2006, no. 283

Antipodes: The North American journal of Australian literature, Vol. 19, No. 2 by Nicholas Birns

Towards the end of the current issue of Antipodes, Bev Braune asks the questions, ‘Who is the reader? And how many of us are there?’ Braune is not referring to Antipodes and its audience. Nonetheless, the questions stand. Academic journals challenge our more romantic notions of readers and reading. As a general rule, they make poor bedtime companions; they deter greenhorns and lotus-eaters; they tend not to provide diversion, entertainment or consolation; and they serve a public and professional, not a private and recreational, function. One could hazard that they exist less for readers than for writers – that they are less read than written for.

From the Archive

February 2011, no. 328

Seasons of doubt & burning: New and selected poems by Robyn Rowland

Robyn Rowland writes what could be described as a traditionally feminine, aestheticised mode of lyric poetry. Rowland’s poetic landscape is one that shimmers with moonlight, in which one finds cherry blossom and exotic fruit, waterfalls and peacocks, and sensuality (if not sex), and in which the language is always pleasing. Perhaps it is my cultural background – coming from a dour nation of Finns – or the fact that I am a formworker’s daughter, but this world is not familiar to me. Indeed, it seems to belong to a particular tradition of lyric poetry, rather than to any reality. Nevertheless, there is honesty and poignancy in Rowland’s New and Selected Poems, which speak of lost relationships, childbirth, illness, the death of loved ones, and the various individuals and historical events that inspired her interest or hope.