Helen Garner (born 1942) is an Australian novelist, short-story writer, screenwriter and journalist. Garner’s first novel, Monkey Grip, published in 1977, immediately established her as an original voice on the Australian literary scene – it is now widely considered a classic. She has a reputation for incorporating and adapting her personal experiences in her fiction, something that has brought her widespread attention, particularly with her novels, Monkey Grip and The Spare Room (2008).
Throughout her career, Garner has written both fiction and non-fiction. She attracted controversy with her book The First Stone (1995) about a sexual-harassment scandal in a university college. She has also written for film and theatre, and has consistently won awards for her work, including the Walkley Award for a 1993 Time Magazine report. Adaptations of two of her works have appeared as feature films: her debut novel Monkey Grip and her true-crime book Joe Cinque’s Consolation (2004) – the former released in 1982 and the latter in 2016.
Dr Jenna Mead claims, among other things in her most recent attempt to discredit The First Stone, that I have ‘invented dialogue’ and written ‘hypothetical meetings with imaginary characters’. All the conversations and encounters in the book are documented in detailed, scrupulous notes. This includes my account of a telephone conversation between Dr Mead and me, which she would perhaps prefer to think of as a figment of my ‘merciless imagination. If only Dr Mead were an imaginary character – but it would strain the ingenuity of a better writer than I am, to have dreamt her up.
Helen Garner, Elizabeth Bay NSW... (read more)
Would it surprise you to know that a number of our well-known writers write to please themselves? Probably not. If there’s no pleasure, or challenge, or stimulus, the outcome would probably not be worth the effort. If this effort is writing, it seems especially unlikely that someone would engage in the activity without enjoying the chance to be their own audience.... (read more)
The publishing world and other allied industries, namely the media and literary critics, tend to promote authors on a ‘star’ system. Especially women writers. They allow certain women to become ‘flavour of the month’. Recently, if you remember, it was Beverley Farmer, and then Kate Grenville. For a short period, every newspaper, magazine, or radio program with a literary bent featured them and their fiction. This treatment is reserved for fiction writers. Never is such sustained coverage given to that awesome creature, the ‘woman poet’.... (read more)