Tim Winton

A little puce head slipped out, followed by a rush of blood and water. Jerra saw it splash onto the gynaecologist’s white boots. Across Rachel’s chest the little body lay tethered for a moment while smocks and masks pressed hard up against Rachel’s wound. He saw a needle sink in. Someone cut the cord. Blood, grey smears of vernix. The child’s eyes were open. Jerra felt them upon him. From the little gaping mouth, pink froth issued. They snatched him up.

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Ten years after the first ABR FAN Poll, the second one was limited to Australian novels published since 2000 (though we received votes for recent classics such as 1984, Voss, and Monkey Grip). When voting closed in mid-September, Richard Flanagan’s Booker Prize-winning novel The Narrow Road to the Deep North emerged ...

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There are no sheep grazing anywhere near the shepherd’s hut of Tim Winton’s new novel. A few wild goats in the desolate landscape, some broken machinery: that’s all. The narrator, fifteen-year-old Jaxie Clackton, prime suspect for killing his abusive father, is on the run from the police. His scanty food supplies have ...

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ABR Mar2017Cover 200

Chilcot and Australia

Dear Editor,
We cannot be reminded often enough of the perfidy that led in succession to the Iraq disaster, the continuing débâcle in the Middle Eas ...

Everybody thinks they know about Tim Winton: the working-class hero from the West; the whale of a man who’s been writing since he was a boy; the master of one of ...

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Dear Editor, I’m pleased that Peter Craven found so much to enjoy in The Boy behind the Curtain (ABR, December 2016). Winton always writes good – though somewhat deliberate ...

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If any contemporary Australian novel can be said to be canonical, or perhaps even 'the great Australian novel', then it must be Tim Winton's Cloudstreet. Published in 1991, it soon acquired a devoted following and elevated Winton into the top rank of Australian writers ...

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Tim Winton's island home seethes and rings, whispers and beckons with sheer life. It tantalises through shreds of memories and phantom histories turned to stone or engraved in ocean-scored rocks and remote caves. Like William Blake's 'green and pleasant land', it is compromised but offers 'a World in a grain of sand / And a Heaven in a wild flower'. His isle, like P ...

Here is a fine new Australian opera from Victorian Opera. Composer Iain Grandage and librettist Alison Croggon have taken Tim Winton’s Booker-shortlisted novel The Riders (1994) and created a highly expressive work. Marion Potts directs it on a wide but stark stage furnished only with wooden saw horses. There is a balcony and a revolve, but mostly Potts cho ...

I tend to reread The Sun Also Rises every year, if only to remind myself of what it was like to be eighteen or nineteen and overcome by the initial excitement, the shock, of something fresh and distinctive.

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