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Arts

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. Reviews remain open for one week before being paywalled.

Sign up to ABR Arts and receive longform arts criticism to your inbox every fortnight on Tuesdays. And if you are interested in writing for ABR Arts, tell us about your passions and your expertise.

 


Recent reviews

The Update - March 13, 2018

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13 March 2018

In this fortnight's Update: James Levine is sacked, A Stella shortlist, Riccardo Muti and the AWO, Angelica Mesiti and Juliana Engberg at the 2019 Venice Biennale, HOTA's concert for the Planet, CHASS Prizes, Giveaways from the Australian World Orchestra and the Art Gallery of New South Wales.

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Human Flow ★★★1/2

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13 March 2018

The unspeakably upsetting image of the three-year-old Syrian boy Alan Kurdi lying dead on a Turkish beach inspired a number of visual or artistic responses after it went disturbingly viral in 2015. Among the most high-profile, and certainly among the most provocative, was Ai Weiwei’s. The exiled Chinese artist ...

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Antony and Cleopatra (first performed circa 1607) is one of Shakespeare’s most poetic plays, full of imagery of exotic Egypt with its crocodiles and serpents, its River Nile and, of course, Enobarbus’s extravagant speech describing Antony’s first sighting of its queen: ‘The barge she sat in, like a burnished throne/ Burned on ...

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In a Festival glutted with plays about war and the violence wrought by powerful men, Dutch theatre company Toneelgroep’s Kings of War stands tall. A four-and-a-half-hour conflation of Shakespeare’s Henry V, Henry VI, and Richard III, it is directed by Ivo van Hove whose monumental Roman Tragedies – which conceived ...

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Edward Elgar’s great work of poetic soul-scouring and symphonic grandeur had a mired reception at its première in Birmingham in 1900, years before Stravinsky’s Rite of Spring sparked its famous riot in Paris in 1913. Both composers had stretched the tolerance of their audiences, requiring open minds and an ear for new tonalities ...

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It is the fate of nearly all new operas to disappear quickly after an initial run of performances, so it was with much anticipation that Australian audiences had the opportunity to see Brett Dean’s Hamlet, triumphantly premièred at Glyndebourne in June 2017 ...

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I think it was Peter Brook who said the longest that a staging of a play could remain vital was five years. The Hayloft Project’s Thyestes, directed by Simon Stone and adapted from Seneca’s tragedy by Stone himself, Thomas Henning, Chris Ryan, and Mark Winter, was first seen at the Malthouse Theatre in 2010 ...

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In a seminal essay titled ‘Grids’ (1978), the American art theorist Rosalind Krauss argued that, as a structure, the grid was emblematic of modernist ambition, encapsulating modernism’s streamlining project through the expunging of forms and conventions extraneous to it. The grid embodied a kind of will to silence ...

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It is a particular pleasure for an opera lover, even a hard-bitten critic, to watch a career develop and blossom. Nicole Car, making her role début as Violetta for Opera Australia, is one such singer. Audiences have enjoyed her in a series of important roles ...

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The Update - February 27, 2018

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27 February 2018

In this fortnight's Update: 2018 ABR Film Survey, Nicole Car and the Belgiorno Stradivarius, The Lady and the Unicorn at AGNSW, Antony and Cleopatra, 2019 ABR US Tour, MLIVE, A new music residency at UKARIA, MONA's new offering, A change in Chair at Black Swan, Wildlife Photographer of the Year, Transmission Films and Amazon Studios, Colony exhibitions at the NGV, and giveaways from AGNSW and Bell Shakespeare ...

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