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ABR Arts

Theatre

Gaslight 

Rodney Rigby for Newtheatricals in association with Queensland Theatre

Book of the Week

Ghosts of Paradise
Poetry

Ghosts of Paradise by Stephen Edgar

With a title like Ghosts of Paradise, it is no surprise that Stephen Edgar’s latest poetry collection is haunted by loss, mutability, and mortality – the great traditional themes of elegiac poetry. But Edgar’s poetry has long, if not always, been characteristically elegiac. In this new collection, Edgar’s first since winning the Prime Minister’s Award for poetry in 2021 (and his first for Pitt Street Poetry), the poems are haunted by the poet’s late parents, late fellow poets (especially W.B. Yeats, but also the Australian poet Robert Adamson, for whom there is an elegy), and ancient poetic forms, such as the sonnet. The collection also includes meditations on ageing, corpses, and photographs (including Roland Barthes’ ‘theory / That every photo is a memento mori’). An interest in the intertwining of memory, embodiment, and visual representation is powerfully realised in ‘Still Life’, in which the memory of a trip to Broken Hill is

Interview

Interview

From the Archive

November 2007, no. 296

Nolan on Nolan: Sidney Nolan in his own words edited by Nancy Underhill

Nolan On Nolan: Sidney Nolan in His Own Words, edited by Nancy Underhill, is an important publication which elucidates the importance of literature and poetry in Sidney Nolan’s creative process. The collection also highlights the painter’s relationships with a diverse range of celebrated artists and writers, including Benjamin Britten, Robert Lowell, Samuel Beckett and Patrick White. Drawn from archives in Britain, Australia and the United States, the publication does much to rescue the artist from his overly valorised years spent with John and Sunday Reed at Heide. In place of the artist’s well-documented Australian associations, here we find Nolan the internationalist.

From the Archive

From the Archive

December 2007–January 2008, no. 297

Undiplomatic Activities by Richard Wollcott, illustrations by David Rowe

Are ambassadors anachronistic these days, or do top-secret cables and personal finesse still outflank headlines and blogs? In his new book, Richard Woolcott, one of Australia’s most experienced former diplomats, quotes a French colleague who believes that ‘we have become a combination of travel agent, messenger boy, and inn keeper’. Yet Woolcott’s autobiography, The Hot Seat (2003), exemplifies historian Charles Webster’s definition of diplomacy: ‘… obtaining the maximum national interest with a minimum of friction and resentment’ – a rather more significant role. Perhaps this is because Ambassador Woolcott’s career spanned most of the second half of the twentieth century (he retired in 1992), when individuals found it easier to make an impact on what he calls ‘probably the world’s second oldest profession’.